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The New Yorker Radio Hour podcast

The New Yorker Radio Hour

Profiles, storytelling and insightful conversations, hosted by David Remnick.

Profiles, storytelling and insightful conversations, hosted by David Remnick.

 

#150

Jon Stewart: “That’s Not Cancel Culture”

“The Daily Show with Jon Stewart” defined an era. For more than sixteen years, Stewart and his many correspondents skewered American politics. At the [2021 New Yorker Festival] (https://festival.newyorker.com/) , Stewart spoke with David Remnick about his new show, “The Problem with Jon Stewart”; the potential return of Donald Trump to the White House; and the controversy around cancel culture in comedy. “What do we do for a living?” Stewart asks, of comedians. “We criticize, we postulate, we opine, we make jokes, and now other people are having their say. And that’s not cancel culture, that’s relentlessness.” ... Read more

19 Oct 2021

21 MINS

21:51

19 Oct 2021


#149

Daniel Craig Takes Off the Tux

Daniel Craig made his career as an actor in the theatre and in British indie films. When he showed up in Hollywood, it was usually in smaller roles, often as a villain. So, in 2005, when Craig was cast as the original superspy, James Bond, he seemed as surprised as anyone. In “No Time to Die,” Craig gives his final performance as Bond—a role, he tells David Remnick, that sometimes grated on him. Craig hasn’t lost his love of theatre, and is set to play Macbeth on Broadway. “I try not to differentiate” between Shakespeare’s work and Ian Fleming’s, he tells David Remnick. “You’re trying to aim for some truth, to ground things in reality,” and “both require the same muscles.” Though he admits that “there’s a lot more chat” in a Shakespeare script. Plus, the beloved comic character actor Carol Kane discusses her Oscar-nominated turn in 1975’s “Hester Street,” which is being re-released. ... Read more

15 Oct 2021

28 MINS

28:38

15 Oct 2021


#148

Kara Walker Talks with Thelma Golden

Kara Walker is one of our most influential living artists. Walker won a MacArthur Fellowship (the “genius” grant) before she turned thirty, and became well known for her silhouettes, works constructed from cut black paper using a technique that refers to craft forms of the Victorian era. Walker has put modest materials to work to address very large concerns: the lived experience and historical legacy of American slavery. Though she often depicts the racial and sexual violence that went largely unspoken for centuries in the past, her work is aimed squarely at the modern world. “What I set out to do, in a way, worked too well,” she said, “which was to say, if I pretty everything up with hoop skirts and Southern belles then nobody will recognize that I’m talking about them. And then they didn’t! They said, ‘The past is so bad.’ But I’m not from the past. . . . I do live here now. And so do you.” Walker was interviewed at [The New Yorker Festival] (https://festival.newyorker.com/) by Thelma Golden, the director and chief curator of the Studio Museum in Harlem. ... Read more

13 Oct 2021

17 MINS

17:12

13 Oct 2021


#147

An Interview with Merrick Garland, and Susan Orlean on Animals

At The New Yorker Festival, the renowned investigative journalist Jane Mayer asked Attorney General Merrick Garland about the prosecution of January 6th insurrectionists, the threat of domestic terrorism, and what the Justice Department can do to protect abortion rights. Plus, the staff writer Susan Orlean talks with David Remnick about her obsession with animal stories, and her new book, “On Animals.” ... Read more

08 Oct 2021

33 MINS

33:03

08 Oct 2021


#146

Broadway’s Unusual Reopening, and Amanda Petrusich Picks Three

Broadway theatres are welcoming audiences to a new season, mounting original works and restaging shows that closed in March, 2020. In this unusual season, Broadway is featuring atypical works such as “Is this a Room,” directed by Tina Satter, which stages the F.B.I. interrogation of the whistle-blower Reality Winner using the official transcript verbatim for all of its dialogues. But the most notable thing about Broadway this season is the record-breaking eight plays by Black playwrights, including Antoinette Chinonye Nwandu’s “Pass Over,” and the reopening of Jeremy O. Harris’s “Slave Play.” Two theatre critics, Alexandra Schwartz and Vinson Cunningham, discuss whether this diversity is a sign of change on Broadway or a short-term response to the racial reckoning that began in 2020. Plus, the music critic Amanda Petrusich shares three tracks from her playlist for a new baby—featuring Aretha Franklin, Paul and Linda McCartney, and the Velvet Underground. ... Read more

05 Oct 2021

22 MINS

22:14

05 Oct 2021


#145

Jonathan Franzen Talks with David Remnick About “Crossroads”

Jonathan Franzen’s sixth novel, “Crossroads,” is set in 1971, and the title is firmly on the nose: the Hildebrand family is at a crossroads itself, just as the America of that moment seemed poised to come apart. In the course of his career, Franzen has evolved away from an early postmodernist sensibility that highlighted “bravura” writing, and “with this book I threw away all the po-mo hijinks and the grand plot elements,” he tells David Remnick. “It’s really only in the course of writing ‘Crossroads’ that I have said to myself, What I am is a novelist of character and psychology. . . . It’s not about formal experimentation and it’s certainly not about changing the world through my social commentary.” Franzen also discusses the complex ethics behind writing a character of another race, and takes issue with the belief of some in the academy (and much of the political right) that leftist sensibilities are stifling free expression; he declined to sign the “ [Harper’s Letter] (https://www.newyorker.com/news/q-and-a/thomas-chatterton-williams-on-race-identity-and-cancel-culture) ” last year. Despite political polarization, Franzen says, “It’s a much better time to be an American writer than I would have guessed twenty-five years ago.” ... Read more

01 Oct 2021

27 MINS

27:50

01 Oct 2021


#144

Should the Climate Movement Embrace Sabotage?

Andreas Malm, a climate activist and senior lecturer at Lund University, in Sweden, studies the relationship between climate change and capitalism. With the United Nations climate meeting in Glasgow rapidly approaching—it begins on October 31st—Malm tells David Remnick that he believes environmentalists should not place too much faith in talks or treaties of this kind. Instead, he insists that the climate movement rethinks its roots in nonviolence. His book is provocatively titled “How to Blow Up a Pipeline,” though it is not exactly an instruction manual. Malm advocates for “intelligent sabotage” of fossil-fuel infrastructure to prevent more carbon from being emitted in the atmosphere. “I am in favor of destroying machines, property—not harming people. That’s a very important distinction,” he tells Remnick. Plus: Parul Sehgal, The New Yorker’s newest staff writer, introduces David Remnick to some notable works off the syllabus of a class she is teaching. It’s called “Writing the Unspeakable,” about the literature of trauma and atrocity. ... Read more

28 Sep 2021

35 MINS

35:15

28 Sep 2021


#143

Jelani Cobb on the Kerner Report, an Unheeded Warning about the Consequences of Racism

In 1967, in the wake of a violent uprising in Detroit, President Lyndon B. Johnson assembled the National Advisory Commission on Civil Disorders to investigate what had happened. This seemed futile: another panel to investigate yet another uprising. “A lot of people felt that way—‘We don’t need more studies, nothing’s going to come out of that commission,’ ” Fred Harris, a former senator from Oklahoma and the commission’s last surviving member, tells [Jelani Cobb] (https://www.newyorker.com/contributors/jelani-cobb) . But the conclusions were not typical at all. In the final analysis, known as the Kerner Report, the commission named white racism—no euphemisms—as the root cause of unrest in the United States, and said that the country was “moving toward two societies, one Black, one White—separate and unequal.” The report called for sweeping changes and investments in jobs, housing, policing, and more; the recommendations went so far beyond Johnson’s anti-poverty programs of the nineteen-sixties that the President shelved the report and refused to meet with his own commission. The Kerner Report, Cobb says, was “an unheeded warning,” as America still struggles today to acknowledge the reality of systemic racism.  Jelani Cobb co-edited and wrote the introduction to “The Essential Kerner Commission Report,” which was published this year. ... Read more

24 Sep 2021

19 MINS

19:54

24 Sep 2021


#142

Joaquin Castro: “Americans Don’t Know Who Latinos Are”

On Tuesday, the U.S. Government Accountability Office issued a preliminary report on the long-standing underrepresentation of Latinos in the media. While most people consider Hollywood a relatively liberal industry, “the system as a whole is actually quite regressive and . . . exclusionary,” Joaquin Castro, the representative of a Texas district that includes much of San Antonio, says. “I’m convinced that Americans don’t know who Latinos are,” Castro tells [Stephania Taladrid] (https://www.newyorker.com/contributors/stephania-taladrid) . Unlike Black Americans, who are linked in the white imagination to the civil-rights era and other historical turning points, Castro says, non-Latinos “don’t associate us with any particular time period in American history. They don’t know who among us has contributed to the nation’s prosperity or success. And they have no sense where to place us within American society.” What Castro calls a “void” in America’s narrative gets filled by pernicious stereotypes of Latinos as criminals and “illegals.” “There has been now, for several years at least, this dangerous nexus between representation, portrayal, and the abuse of Latino stereotypes . . . by politicians who abuse them for their own political gain. And, in that dangerous mix, in its worst form, you get what happened in El Paso in August of 2019, where a madman drove ten hours and killed twenty-three people because he considered them Hispanic invaders.” Castro suggests that states and local governments should do more to hold the media accountable, for example, by tying tax breaks for entertainment production to improvements on diversity. ... Read more

21 Sep 2021

22 MINS

22:50

21 Sep 2021


#141

Wes Anderson and Jeffrey Wright on “The French Dispatch”

“I wanted to do a French movie, and I had this idea of wanting to do a New Yorker movie,” Wes Anderson explains. “Somehow, I also wanted to do one of those omnibus-type things where it was a collection of short stories.” The result is the new film “The French Dispatch.” Anderson describes his interest in The New Yorker as “almost fetishistic.” Each of the movie’s four story lines was inspired by a work from the magazine or by one of its writers, though Anderson has played freely with biography. Jeffrey Wright, for example, plays Roebuck Wright, an amalgam of James Baldwin, a Black American expatriate in provincial France, and A. J. Liebling, a beloved writer on food and much else from The New Yorker’s early years. “Even in exile,” the actor says, his character “realizes that he’s only at home within himself, that there is no home for him. And maybe there is no home for anyone, really, other than within one’s own body and one’s own soul.” Anderson and Wright join David Remnick to discuss “The French Dispatch” and the classic New Yorker essays that inspired it. ... Read more

17 Sep 2021

29 MINS

29:06

17 Sep 2021


#140

Bonus: “The French Dispatch” Reads The New Yorker

Wes Anderson’s new film, “The French Dispatch,” is about a magazine, and it was inspired by Anderson’s long-standing love of The New Yorker. In this special episode, introduced by the articles editor Susan Morrison, cast members read excerpts from classic works associated with the magazine. Bill Murray reads a letter from the editor Harold Ross to an angry writer, Steve Park reads James Thurber, and Elisabeth Moss reads E. B. White. Owen Wilson reads Joseph Mitchell’s piece on rats; Frances McDormand reads Mavis Gallant’s record of the 1968 student uprising in Paris; Tilda Swinton reads a Calvin Tomkins art-world profile; and Jeffrey Wright reads James Baldwin’s “Equal in Paris,” a remarkable indictment of French institutions. ... Read more

17 Sep 2021

28 MINS

28:26

17 Sep 2021


#139

The Insidious Procedural Traps of the Texas Abortion Law

The new Texas law Senate Bill 8 effectively outlaws abortion in Texas, violating constitutional protections on reproductive rights. Yet the Supreme Court is in no rush to review it. The law professor and staff writer Jeannie Suk Gersen speaks with Leah Litman, a law professor at the University of Michigan. They examine the novel ways in which the law insulates itself from judicial review. “It seems like the Texas law is an onion, with layers upon layers of unconstitutionality,” Suk Gersen notes. “It’s basically saying to the courts, ‘We’ll do your job for you. You are cut out of this.’ ”    Plus, Jia Tolentino talks with the pop musician Caroline Polachek, as the singer-songwriter gets ready to play her first live concert since March of 2020, for the biggest crowd of her career. ... Read more

14 Sep 2021

29 MINS

29:23

14 Sep 2021


#138

Remembering September 11th, and the Future of the Taliban

Twenty years after the events of September 11th, the writer Edwidge Danticat reads from her essay “Flight,” about the way that tragedies are memorialized by those who survive them. And the New Yorker contributor Anand Gopal reports from Afghanistan, where, he says, the younger rank and file of the Taliban are hardly aware of the way that the 9/11 attacks have shaped the last two decades. ... Read more

10 Sep 2021

20 MINS

20:26

10 Sep 2021


#137

The Child Tax Credit: One Small Step Toward Universal Basic Income?

David Remnick talks with Senator Michael Bennet, of Colorado, who campaigned for the Presidency in 2020 advocating for the child tax credit, which is now a centerpiece of the Democratic agenda. Bennet describes why direct cash payments make such a big difference. Our economics correspondent Sheelah Kolhatkar describes the policy as a scale model of universal basic income. She moderates a conversation between two academics on different sides of the issue: Michael Strain, a senior fellow and the director of economic-policy studies at the American Enterprise Institute, and Amy Castro, an assistant professor at the University of Pennsylvania. Plus, Radio Hour listeners go toe to toe in a round of The New Yorker’s Name Drop, a new quiz. ... Read more

07 Sep 2021

29 MINS

29:31

07 Sep 2021


#136

Riz Ahmed on “Mogul Mowgli”

As a rapper, Riz Ahmed has released critically acclaimed albums, and he was featured on the chart-topping “Hamilton Mixtape.” At the same time, he was becoming a leading man in the movies, with roles including a small part in the Star Wars picture “Rogue One” and an extraordinary, Oscar-nominated performance in “Sound of Metal.” Like his previous film, “Mogul Mowgli” is about a musical artist facing a health crisis that could end his career. Ahmed stars as the British-Pakistani rapper Zaheer—stage name Zed—and he co-wrote the film with Bassam Tariq. “It was very much a kind of inward journey,” Ahmed tells David Remnick. “It was very much about holding up a mirror and hoping that in the honesty and the vulnerability of that exercise, people would just connect emotionally—even if they couldn’t necessarily connect to the specificity of the experience. But for those who could connect to that specificity, you would be, like, ‘Jesus Christ, I never thought I’d see that onscreen!’ ” ... Read more

03 Sep 2021

19 MINS

19:40

03 Sep 2021


#135

Kim Stanley Robinson on “Utopian” Science Fiction

One of the premier writers of thinky sci-fi, Kim Stanley Robinson opened his book “The Ministry for the Future” with an all too plausible scenario: a lethal heat wave descends on India, with vast, horrifying consequences. It’s a sobering read, especially after July, 2021, was declared the hottest month on record. And yet Robinson tells [Bill McKibben] (https://www.newyorker.com/contributors/bill-mckibben) that his work is not dystopian; his central concern is how the globe could respond to such a disaster and begin to halt the momentum of global warming. “That whole dystopian postapocalyptic strain—it doesn’t serve as a warning, it doesn’t make you change your behavior,” Robinson notes. “I reject all that. I write as a utopian science-fiction writer.” But, “at the moment we’re at right now in world history,” he admits, “I have to set a pretty low bar for ‘utopia.’ If we dodge a mass-extinction event in this century, that’s utopian writing. That’s the best we can expect from where we are right now. Having put that story on the table as being possible, it suggests that we ought to be trying for it.” ... Read more

27 Aug 2021

18 MINS

18:50

27 Aug 2021


#134

The Joy of Beach Reads

Our guest host, Vinson Cunningham, looks at the joys of the beach read, hitting Brighton Beach on a hot, muggy day to peer over readers’ shoulders. He relates his own fortuitous encounter with Lawrence Otis Graham’s “Our Kind of People,” after finding the book in a rented house on Martha’s Vineyard. Plus, Rachel Syme feels that “books have a season that they tell you to read them in,” and “summer is the season of the classic Hollywood memoir”; she shares three favorites with David Remnick. ... Read more

27 Aug 2021

31 MINS

31:13

27 Aug 2021


#133

Home Cooking with Jacques Pepin and Klancy Miller

For generations of cooks, Jacques Pépin has been the master. Early in his career he cooked for eminences like Charles DeGaulle, and was offered a job at the White House. But after a serious car accident ended his time in restaurants, Pépin remade a new career as a teacher, cookbook author, chef, and broadcaster. On television—at first alongside his friend Julia Child—he brought the gospel of French cooking into so many American homes, at a time when there was no other fine cuisine. At eighty-five, he is still active on Facebook Live, with a notably humble variety of use-what-you-got cooking that’s well suited to the pandemic era. Pépin consented to a one-on-one lesson with David Remnick, a cooking novice, and together they tackled the subtle art of making a crêpe. Plus, Klancy Miller, the author of “Cooking Solo,” talks with the food correspondent Helen Rosner about her underlying philosophy: you should treat yourself as well as you would treat anyone else. ... Read more

24 Aug 2021

32 MINS

32:34

24 Aug 2021


#132

Dexter Filkins on the Fall of Afghanistan

[Dexter Filkins] (https://www.newyorker.com/contributors/dexter-filkins)  covered the American invasion of Afghanistan when he was a reporter for the New York Times, and has continued to report on conflicts in the region for The New Yorker. Filkins’s best-seller from 2008 carried the resonant title “The Forever War.” Thirteen years after the book’s publication, the forever war is over, but its end has been the chaotic worst-case scenario that many feared. Filkins talks with David Remnick about whether it had to go this way, and whether twenty years of war changed America more than it did Afghanistan.  ... Read more

20 Aug 2021

17 MINS

17:33

20 Aug 2021


#131

Liesl Tommy, Director of “Respect”

Aretha Franklin was the Queen of Soul, the greatest voice of her generation, an eighteen-time Grammy Award winner whose career spanned five decades. She was also a famously private person, which makes the project of directing a film about her life challenging. The job of telling Aretha’s story went to a South African-born director named Liesl Tommy, known for her work in theatre and nominated for a Tony, in 2016. Tommy had also directed episodes of TV shows like “The Walking Dead” and “Jessica Jones,” but the movie about Franklin—called, almost inevitably, “Respect”—is her first feature film. Tommy’s long-standing passion for the singer, she says, made the job relatively easy, even though she first fell in love with Franklin’s voice as a child living on a different continent.  “I don’t think I ever thought of her as American,” she told [Vinson Cunningham] (https://www.newyorker.com/contributors/vinson-cunningham) . “I thought of her as a woman that I wanted to grow up to be.” As a small child, she recalls, “Even if I don’t understand the feelings specifically, I understand how the way she sang them made me feel. And that was, excited to be alive.” ... Read more

13 Aug 2021

14 MINS

14:34

13 Aug 2021


#130

Amanda Petrusich Talks with the Weather Station’s Tamara Lindeman

[Amanda Petrusich] (https://www.newyorker.com/contributors/amanda-petrusich) describes herself as a “die-hard fan” of folk music, but not when it feels precious or sentimental. That’s why she loves the Weather Station, whose songs, she thinks, “could take a punch to the face.” A solo project of the songwriter and performer Tamara Lindeman, the Weather Station’s new album, “Ignorance,” focusses on the theme of climate grief: Lindeman was responding to a devastating report by the Intergovernmental Panel on Climate Change about the consequences of elevated carbon levels for human societies. If that sounds heady, Lindeman tells Petrusich that it may be her heritage. “There’s this thread in Canadian music of philosophical songwriting, and that’s how I like my lyrics to be. I like them to be about ideas as well as stories. . . . Most people want songs that just tell a story; they don’t want the complicated ideas. But I do.”   The Weather Station performs “Robber” and “Tried to Tell You,” with Evan Cartwright on percussion and Karen Ng on saxophone.    This segment originally aired February 5, 2021. ... Read more

10 Aug 2021

23 MINS

23:50

10 Aug 2021


#129

Atul Gawande on the COVID-19 Resurgence

For a few brief moments this summer, in places where the vaccination rate was high, we could imagine life after COVID-19: restaurants and theatres were filling up, gatherings of all kinds were taking place, and many businesses were planning to return to their offices after Labor Day. Then the story changed, as the highly contagious Delta variant began sweeping the nation. [Atul Gawande] (https://www.newyorker.com/contributors/atul-gawande) , a professor of medicine and an internationally recognized expert on public health, tells David Remnick that the Delta surge has also caused a vaccination surge, which is promising. They discuss the idea of booster shots and the possibility of a future variant that would resist the vaccine and cause more severe breakthrough infections. The Lambda variant, Gawande says, has already reached the U.S., but little is known yet about how it responds to the vaccines in use here. Plus, forget the big white tent and the plate of rubber chicken: the real New York style is a City Hall wedding, complete with metal detectors. Vinson Cunningham tells us what it’s all about.   (Gawande has been nominated by President Biden to lead global health development, including COVID-19 efforts, for the United States Agency for International Development. The appointment awaits confirmation in the Senate.) ... Read more

06 Aug 2021

25 MINS

25:14

06 Aug 2021


#128

Jack Antonoff on Growing up Jersey

Jack Antonoff has had a busy pandemic. Sought out by Taylor Swift as a producer, he ultimately made two records for her—one of which, “Folklore,” won the Grammy for Album of the Year. He also worked on albums for Lorde, Lana Del Rey, and Clairo that are out or forthcoming this year. And Antonoff just released his own new record, “Take The Sadness out of Saturday Night,” his third album with the band Bleachers. It’s music for driving fast down the highway—heavy on the horns, the power chords, and the emotions. But, like his fellow New Jerseyan Bruce Springsteen, Antonoff tells intensely personal stories in his anthems. He talks with David Remnick about how growing up in the suburbs inspired him, and about a death in his family that shaped his songwriting. ... Read more

03 Aug 2021

18 MINS

18:05

03 Aug 2021


#127

John Kerry on the Battle Against Climate Change

With the world overheating, glaciers melting, and landscapes in flames, it’s difficult to think of a harder or more important job than John Kerry’s. The former senator and Secretary of State is now the special Presidential envoy for climate, a Cabinet-level post created by President Biden. Kerry talks with David Remnick about reasserting the United States’ fitness to lead on global climate action in the wake of Trump Administration policies, and about how to get allies and adversaries to engage in the battle together. He is heading to Glasgow for talks that aim to hold the warming level to 1.5 degrees Celsius. “Imagine what happens at 1.5, if you already see what’s happening at 1.2,” Kerry exclaims. “Is that what we want? You would think not!” Plus, an evangelical historian who is the wife of a pastor breaks from her church’s doctrine, arguing that Biblical readings of female submission are mistakes. She has felt the personal consequences of taking this stance. ... Read more

30 Jul 2021

32 MINS

32:21

30 Jul 2021


#126

An Iranian Plot Grew in Brooklyn, and the Revelations about Pegasus

The indictment reads like a not-so-great spy novel: the operatives would kidnap the dissident from her home in Brooklyn, deliver her to the waterfront to meet a speedboat, bring her by sea to Venezuela, and then move her on to Tehran—where she would, presumably, face a show trial, and perhaps execution. But this was no potboiler. The Iranian nationals charged in the indictment were allegedly researching an audacious plot to capture a naturalized American citizen, on U.S. soil. The target of the scheme was Masih Alinejad, a journalist and activist who has been critical of the Iranian theocracy and particularly vocal in speaking out against the compulsory wearing of hijab; she has a large following on social media and a show on Voice of America. Her brother has been jailed in Iran, and her sister was forced to renounce her on television. The F.B.I. took the threat to Alinejad seriously enough to sequester her and her husband, Kambiz Foroohar,  in a series of safe houses, where they stayed for months. Alinejad and Foroohar spoke about their ordeal with David Remnick, and explained why the regime regards her as such a threat. “For Iran, hijab is like the Berlin Wall was to the Soviet system,” Foroohar points out. “The narrative of the Islamic Republic was that women are choosing to wear hijab, and Masih is challenging that narrative.” Plus, the revelations about Pegasus. Marketed as a tool against terrorism, the spyware was also deployed by governments against journalists and activists. Isaac Chotiner interviews one of the targets, the Indian journalist and scholar Siddharth Varadarajan. ... Read more

27 Jul 2021

26 MINS

26:28

27 Jul 2021


#125

Eric Adams Talks with David Remnick

The New York City mayoral primary, which culminated in a vote held in June, was full of surprises, including the introduction of ranked-choice voting to a confused electorate, and the presence of Andrew Yang, a newcomer to municipal politics who quickly attained front-runner status. But the winning Democrat was no surprise. Eric Adams is the borough president of Brooklyn and a former state senator, making him an establishment favorite. He was also, for more than two decades, a police officer. With policing at the center of public attention since last year’s uprising of the Black Lives Matter movement, Adams occupies a unique position in the debate. He was a firebrand in the N.Y.P.D. and an advocate for Black officers; and he was, as a teen-age boy, a victim of police abuse himself. But Adams is also a strong defender of the police department. He has spoken about the correct way to implement stop-and-frisk policies, which have been previously carried out in ways that were ruled unconstitutional. He rebuked candidates to his left who talked about defunding the force. And he made the national spike in violent crime part of his candidacy, when others focussed their platforms elsewhere.     The nation’s cities face a budgetary crisis, the COVID crisis, a crisis of confidence in policing, and more. Adams doesn’t seem fazed. “We need to be very honest that our city is dysfunctional. And it always has been for a large number of New Yorkers,” he told David Remnick. “I could take you throughout the city where the conditions have remained the same through mayor after mayor. What I must do is stop the dysfunctionality of a city that has normalized being dysfunctional.” Remnick spoke with Adams on July 21, 2021. ... Read more

23 Jul 2021

23 MINS

23:53

23 Jul 2021


#124

Helen Rosner’s Summer Drinks, Plus an Anxious Future in Afghanistan

Shabana Basij-Rasikh is the co-founder of Afghanistan’s only all-girls boarding school, and she is anxiously waiting to see if the Taliban—which brutally opposes the education of girls and women—will make inroads in Kabul. “I was speaking with a young woman,” Basij-Rasikh told the staff writer Sue Halpern, “and she said, ‘Yes, sure, the Taliban will kill more of us. The Taliban will kill a lot more of us. But they will never, ever rule over us.’ ” Plus, the food-and-drink writer Helen Rosner prepares three summer cocktails to toast a reopening world: a Cynar spritz; a Michelada made with nonalcoholic Upside Dawn Golden Ale; and a classic piña colada, complete with umbrella. ... Read more

20 Jul 2021

34 MINS

34:45

20 Jul 2021


#123

The Golden Arches in Black America

Marcia Chatelain, a historian at Georgetown, recently won the Pulitzer Prize for History for her book “Franchise: The Golden Arches in Black America.” Chatelain looks at how McDonald’s leveraged the social upheaval of the nineteen-sixties to gain a permanent foothold in Black communities across the country. McDonald’s strategically positioned franchise ownership as an economic goal for Black entrepreneurs. Black franchisees, she notes, have navigated the economic promise and the pitfalls of that corporate relationship, while the wages for fast-food workers, who are disproportionately Black and Latino, have remained notoriously low. ... Read more

16 Jul 2021

15 MINS

15:12

16 Jul 2021


#122

Gillian Flynn, Akhil Sharma, and Alison Bechdel on Their Most Memorable Jobs

The U.S. economy seems to be showing real signs of life, and lots of people are finally returning to the labor force—eight hundred and fifty thousand in the month of June alone. At the same time, job resignations are at a record high, and many workers are changing careers. With work life at top of mind, we asked three writers to tell us about the most memorable jobs they’ve had in the past. [Gillian Flynn] (http://www.newyorker.com/magazine/2016/10/10/be-kind-to-people-dressed-as-food) , the author of novels including “Sharp Objects” and “Gone Girl,” remembers having to wear a frozen-yogurt costume as a teen-ager. Akhil Sharma talks about lying his way into a lucrative gig as a banker, spinning stories that played into ethnic stereotypes, before becoming the author of books such as “Family Life” and “An Obedient Father.” Plus, the cartoonist Alison Bechdel shares how she rewarded herself after her shortest job ever.      This story originally aired on August 25, 2017. ... Read more

13 Jul 2021

16 MINS

16:46

13 Jul 2021


#121

Bon Iver Live at the New Yorker Festival

In the winter of 2007, a songwriter by the name of Justin Vernon returned to the Wisconsin woods, not far from where he grew up. Just a few months later, he emerged with “For Emma, Forever Ago”—his first album produced under the name Bon Iver. Since then, Vernon and various bandmates have released three more records, won two Grammys, and collaborated with Kanye West, becoming one of the most celebrated bands in indie music. The music critic [Amanda Petrusich] (https://www.newyorker.com/contributors/amanda-petrusich) spoke with Vernon at The New Yorker Festival, alongside his bandmates Brad Cook and Chris Messina. They discuss using made-up words as lyrics; Vernon’s deep, deep love of “Northern Exposure”; and how a group like Bon Iver engages with current events in today’s toxic political climate.    Bon Iver performed “U (Man Like),” “Marion,” and “RABi”; Vernon was accompanied by Sean Carey, Jenn Wasner, and Mike Lewis.     This story originally aired November 29, 2019 ... Read more

09 Jul 2021

24 MINS

24:56

09 Jul 2021