Hit Parade | Music History and Music Trivia | Listen on Podurama podcasts

#173

Say a Little Prayer Edition Part 1

You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn’t just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around. When showtunes and standards didn’t work in the ’60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the ’70s, it became her best-seller. When the MTV era changed the game in the ’80s, she did New Wave synthpop her way—and topped the charts again. In the ’90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties. Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our [respect] (https://www.youtube.com/watch?v=9iayJ8u4Qew) by infusing the charts with a holy spirit and [amazing grace] (https://www.youtube.com/watch?v=tkke4ctTYf8) —and she always remained [a natural woman] (https://www.youtube.com/watch?v=8jCFzreP1ng) . Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit [megaphone.fm/adchoices] (https://megaphone.fm/adchoices) ... Read more

15 Nov 2024

1 HR 01 MINS

1:01:00

15 Nov 2024

#172

With or Without U2 Edition Part 2

U2 have millions of admirers—and haters: from the fans who regard them as rock’s conscience, to the cynics who blanch at lead singer Bono’s self-importance. Here’s the thing: U2 want to play to both crowds. They know why the haters can’t stand them. After a decade of earnestness in the ’80s, Bono, The Edge, Adam Clayton and Larry Mullen called BS on themselves, rebooting their sound and image for the ’90s age of irony. This shouldn’t have worked. Instead, U2 became as big as ever, and kept scoring hits. Then, when the whole sardonic thing stopped working for them, at the turn of the millennium, they went back to anthemic U2—and the hits kept coming. Their ability to pivot so many times and keep scoring hits over multiple decades is rare in pop history. Join Chris Molanphy as he explains how U2 pulled this off. How did they balance cool and cringe? How did they outlast new wave, college rock, hair metal and grunge to remain chart-toppers into the era of teenpop and hip-hop? And…what exactly were they thinking when they forced an album onto your iPhone? They don’t mean to bug ya, but…why can’t we live with or without U2? Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit [megaphone.fm/adchoices] (https://megaphone.fm/adchoices) ... Read more

25 Oct 2024

58 MINS

58:53

25 Oct 2024

#171

With or Without U2 Edition Part 1

U2 have millions of admirers—and haters: from the fans who regard them as rock’s conscience, to the cynics who blanch at lead singer Bono’s self-importance. Here’s the thing: U2 want to play to both crowds. They know why the haters can’t stand them. After a decade of earnestness in the ’80s, Bono, The Edge, Adam Clayton and Larry Mullen called BS on themselves, rebooting their sound and image for the ’90s age of irony. This shouldn’t have worked. Instead, U2 became as big as ever, and kept scoring hits. Then, when the whole sardonic thing stopped working for them, at the turn of the millennium, they went back to anthemic U2—and the hits kept coming. Their ability to pivot so many times and keep scoring hits over multiple decades is rare in pop history. Join Chris Molanphy as he explains how U2 pulled this off. How did they balance cool and cringe? How did they outlast new wave, college rock, hair metal and grunge to remain chart-toppers into the era of teenpop and hip-hop? And…what exactly were they thinking when they forced an album onto your iPhone? They don’t mean to bug ya, but…why can’t we live with or without U2? Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit [megaphone.fm/adchoices] (https://megaphone.fm/adchoices) ... Read more

11 Oct 2024

1 HR 05 MINS

1:05:02

11 Oct 2024

#170

What’s 1984 Got to Do with It Edition Part 2

A decade ago, Rolling Stone magazine called 1984 “ [Pop’s Greatest Year] (https://www.rollingstone.com/music/music-lists/100-best-singles-of-1984-pops-greatest-year-163322/) .” A bold statement…but a lot of critics agree. A confluence of factors—the comeback of dance music, the peak of MTV, the Second British Invasion, and the emergence of metal and hip-hop—made the radio a great place to be. It was a year of fearless genre crossover…cinematic hits…veterans reinventing themselves…ballads that became standards…a newcomer named Madonna…and a movie star who called himself The Kid and made doves cry. Join Chris Molanphy as he dissects eight reasons why 1984 was awesome for pop fans and walks through all 20 of the year’s No. 1 hits: from “Jump” to “Hello,” “Karma Chameleon” to “Caribbean Queen,” “Let’s Go Crazy” to “Like a Virgin.” This is what it sounds like when pop’s fly. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit [megaphone.fm/adchoices] (https://megaphone.fm/adchoices) ... Read more

27 Sep 2024

1 HR 03 MINS

1:03:32

27 Sep 2024

#169

What’s 1984 Got to Do with It Edition Part 1

A decade ago, Rolling Stone magazine called 1984 “ [Pop’s Greatest Year] (https://www.rollingstone.com/music/music-lists/100-best-singles-of-1984-pops-greatest-year-163322/) .” A bold statement…but a lot of critics agree. A confluence of factors—the comeback of dance music, the peak of MTV, the Second British Invasion and the emergence of metal and hip-hop—made the radio a great place to be. It was a year of fearless genre crossover…cinematic hits…veterans reinventing themselves…ballads that became standards…a newcomer named Madonna…and a movie star who called himself The Kid and made doves cry. Join Chris Molanphy as he dissects eight reasons why 1984 was awesome for pop fans and walks through all 20 of the year’s No. 1 hits: from “Jump” to “Hello,” “Karma Chameleon” to “Caribbean Queen,” “Let’s Go Crazy” to “Like a Virgin.” This is what it sounds like when pop’s fly. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit [megaphone.fm/adchoices] (https://megaphone.fm/adchoices) ... Read more

14 Sep 2024

1 HR 07 MINS

1:07:20

14 Sep 2024

#168

Building a Herstory Edition Part 2

For decades—literally since Woodstock—female musicians had battled music-industry perceptions that amassing too many of them, on the radio or on the road, was bad for business. And yet, by the ’90s, women were vital to the rise of alt-rock and hip-hop on the charts: from Suzanne Vega to Queen Latifah, Tracy Chapman to Sheryl Crow, Natalie Merchant to Missy Elliott. Sarah McLachlan harnessed this energy into an all-woman tour she dubbed Lilith Fair. Its string of sellouts from 1997 to ’99 affirmed women’s clout in the decade of grunge-and-gangsta. But the festival was also criticized for its narrow focus and for branding “women’s music” as a genre. More than two decades later, Hit Parade assesses the legacy of Lilith on the charts and on the road—how its performers, attendees and musical descendants are helping to ensure the future is female. Podcast production by Benjamin Frisch and Kevin Bendis. Learn more about your ad choices. Visit [megaphone.fm/adchoices] (https://megaphone.fm/adchoices) ... Read more

30 Aug 2024

48 MINS

48:20

30 Aug 2024

#167

Building a Herstory Edition Part 1

For decades—literally since Woodstock—female musicians had battled music-industry perceptions that amassing too many of them, on the radio or on the road, was bad for business. And yet, by the ’90s, women were vital to the rise of alt-rock and hip-hop on the charts: from Suzanne Vega to Queen Latifah, Tracy Chapman to Sheryl Crow, Natalie Merchant to Missy Elliott. Sarah McLachlan harnessed this energy into an all-woman tour she dubbed Lilith Fair. Its string of sellouts from 1997 to ’99 affirmed women’s clout in the decade of grunge-and-gangsta. But the festival was also criticized for its narrow focus and for branding “women’s music” as a genre. More than two decades later, Hit Parade assesses the legacy of Lilith on the charts and on the road—how its performers, attendees and musical descendants are helping to ensure the future is female. Podcast production by Benjamin Frisch and Kevin Bendis. Learn more about your ad choices. Visit [megaphone.fm/adchoices] (https://megaphone.fm/adchoices) ... Read more

10 Aug 2024

52 MINS

52:31

10 Aug 2024

#166

Song(s) of the Summer Edition Part 2

“Summer in the City.” “I Feel the Earth Move.” “Bette Davis Eyes.” “Whoomp! There It Is.” “Get Lucky.” “Espresso.” What do these big summer hits all have in common? None of them was Billboard’s official Song of the Summer. Wait…there’s an official Song of the Summer? Isn’t that something that just happens organically? Every year, it seems everybody has an opinion on this musical national pastime. But the Hot 100 often tells a different story. For every “Light My Fire,” “Bad Girls,” “Crazy in Love,” “California Gurls” or “Call Me Maybe”—a hot-weather hit that unites the charts and the punditry—there are confirmed summer smashes that no one would pick out of a lineup, from Zager and Evans to Iggy Azalea. Join Chris Molanphy as he traces the tangled story of how America came to decide there should be one victorious summer hit to rule them all. And he counts down the best Songs of the Summer by decade. Is it getting “Hot in Herre,” or is it just us…? Podcast production by Kevin Bendis. Learn more about your ad choices. Visit [megaphone.fm/adchoices] (https://megaphone.fm/adchoices) ... Read more

27 Jul 2024

1 HR 01 MINS

1:01:56

27 Jul 2024

#165

Song(s) of the Summer Edition Part 1

“Summer in the City.” “I Feel the Earth Move.” “Bette Davis Eyes.” “Whoomp! There It Is.” “Get Lucky.” “Espresso.” What do these big summer hits all have in common? None of them was Billboard’s official Song of the Summer. Wait…there’s an official Song of the Summer? Isn’t that something that just happens organically? Every year, it seems everybody has an opinion on this musical national pastime. But the Hot 100 often tells a different story. For every “Light My Fire,” “Bad Girls,” “Crazy in Love,” “California Gurls” or “Call Me Maybe”—a hot-weather hit that unites the charts and the punditry—there are confirmed summer smashes that no one would pick out of a lineup, from Zager and Evans to Iggy Azalea. Join Chris Molanphy as he traces the tangled story of how America came to decide there should be one victorious summer hit to rule them all. And he counts down the best Songs of the Summer by decade. Is it getting “Hot in Herre,” or is it just us…? Podcast production by Kevin Bendis. Learn more about your ad choices. Visit [megaphone.fm/adchoices] (https://megaphone.fm/adchoices) ... Read more

13 Jul 2024

1 HR 02 MINS

1:02:22

13 Jul 2024

#164

I Wanna Rock with Q. Edition Part 2

What does a music producer do? If his name is Quincy Jones, a little bit of everything: conducting, arranging, composing. Assembling teams of ace session musicians. Sometimes, even picking a catchy title and telling an artist to go write a song about it— would “Thriller” have worked as well if it had been called “Starlight”? Quincy Jones was pop’s Renaissance Man, and he could not be limited either by genre or by role. He played in jazz bands…produced teen pop hits…discovered young talent…scored Hollywood films…helped invent Yacht Rock and Yacht Soul…even released hit albums under his own name featuring cavalcades of guest vocalists. And he worked with so! many! legends! Ray Charles, Frank Sinatra, Little Richard, Lesley Gore, Aretha Franklin, Chaka Khan … and all that happened before he even met a former child star named Michael Jackson and helped him produce the best-selling album in history. No wonder only Quincy had the clout to wrangle the superstars for the recording of “We Are the World.” Join Chris Molanphy as he tells the story of the music man who truly did it all and is known affectionately by the letter Q. He made the world a better place for you and me. Podcast production by Kevin Bendis. Host Chris Molanphy Learn more about your ad choices. Visit [megaphone.fm/adchoices] (https://megaphone.fm/adchoices) ... Read more

29 Jun 2024

55 MINS

55:55

29 Jun 2024

#163

I Wanna Rock with Q. Edition Part 1

What does a music producer do? If his name is Quincy Jones, a little bit of everything: conducting, arranging, composing. Assembling teams of ace session musicians. Sometimes, even picking a catchy title and telling an artist to go write a song about it— would “Thriller” have worked as well if it had been called “Starlight”? Quincy Jones was pop’s Renaissance Man, and he could not be limited either by genre or by role. He played in jazz bands…produced teen pop hits…discovered young talent…scored Hollywood films…helped invent Yacht Rock and Yacht Soul…even released hit albums under his own name featuring cavalcades of guest vocalists. And he worked with so! many! legends! Ray Charles, Frank Sinatra, Little Richard, Lesley Gore, Aretha Franklin, Chaka Khan … and all that happened before he even met a former child star named Michael Jackson and helped him produce the best-selling album in history. No wonder only Quincy had the clout to wrangle the superstars for the recording of “We Are the World.” Join Chris Molanphy as he tells the story of the music man who truly did it all and is known affectionately by the letter Q. He made the world a better place for you and me. Podcast production by Kevin Bendis. Host Chris Molanphy Learn more about your ad choices. Visit [megaphone.fm/adchoices] (https://megaphone.fm/adchoices) ... Read more

15 Jun 2024

50 MINS

50:54

15 Jun 2024

#162

Be My Baby-Baby-Baby Edition Part 2

Girl groups have long been underestimated—even by the producers and managers who created them. For women listeners, girl groups narrated profound emotions and expressed personal freedom—even when the singers were not so free themselves. For male listeners, girl groups provided inspiration, and a way to express matters of the heart. And for all listeners across rock and soul history, girl groups pushed music forward. In the ’60s, the Shirelles, Marvelettes, Ronettes and Shangri-Las kept rock afloat between Elvis Presley and the Beatles. In the ’70s and ’80s, girl groups from the Emotions to Exposé rebooted dance music. In the ’90s, En Vogue, TLC and Destiny’s Child fused hip-hop style with old-school soul—and the Spice Girls fired up a new generation through Girl Power. Join Chris Molanphy as we shimmy and strut through decades of bops to give girl groups the respect they deserve. You’ll love them tomorrow, because friendship never ends. Podcast production by Kevin Bendis. Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes. Plus, you’ll get ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit [ slate.com/hitparadeplus] (https://slate.com/podcast-plus?utm_medium=audio&utm_campaign=plus_pod&utm_content=Hit_Parade&utm_source=episode_summary) to get access wherever you listen. Learn more about your ad choices. Visit [megaphone.fm/adchoices] (https://megaphone.fm/adchoices) ... Read more

31 May 2024

52 MINS

52:21

31 May 2024

#161

Be My Baby-Baby-Baby Edition Part 1

Girl groups have long been underestimated—even by the producers and managers who created them. For women listeners, girl groups narrated profound emotions and expressed personal freedom—even when the singers were not so free themselves. For male listeners, girl groups provided inspiration, and a way to express matters of the heart. And for all listeners across rock and soul history, girl groups pushed music forward. In the ’60s, the Shirelles, Marvelettes, Ronettes and Shangri-Las kept rock afloat between Elvis Presley and the Beatles. In the ’70s and ’80s, girl groups from the Emotions to Exposé rebooted dance music. In the ’90s, En Vogue, TLC and Destiny’s Child fused hip-hop style with old-school soul—and the Spice Girls fired up a new generation through Girl Power. Join Chris Molanphy as we shimmy and strut through decades of bops to give girl groups the respect they deserve. You’ll love them tomorrow, because friendship never ends. Podcast production by Kevin Bendis. Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes. Plus, you’ll get ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit [ slate.com/hitparadeplus] (https://slate.com/podcast-plus?utm_medium=audio&utm_campaign=plus_pod&utm_content=Hit_Parade&utm_source=episode_summary) to get access wherever you listen. Learn more about your ad choices. Visit [megaphone.fm/adchoices] (https://megaphone.fm/adchoices) ... Read more

17 May 2024

1 HR 03 MINS

1:03:22

17 May 2024

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