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Dior Talks

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DIOR

Dior Talks* is delighted to introduce its latest podcast series dedicated to the Dior Lady Art project. Tune in to hear the stories and inspirations behind a new round of artist interpretations of the House’s iconic Lady Dior bag. An iconic object of desire with an extraordinary destiny that continues to be shaped by concepts and events forever transcending the boundaries of innovation and inventiveness. Thus, since 2016, for the Dior Lady Art project, the house has given international artists carte blanche to revisit this exceptional bag, which is then transformed into a dream canvas onto which they transpose their vision, their universe, their singularity. For this ninth edition, Sara Flores, Jeffrey Gibson, Huang Yuxing, Liang Yuanwei, Danielle Mckinney, Duy Anh Nhan Duc, Hayal Pozanti, Faith Ringgold, Vaughn Spann, Anna Weyant and Woo Kukwon each take their turn in appropriating the Lady Dior as a fascinating emblem of poetic metamorphosis. An alchemical combination of Dior’s heritage and creative freedom, resonating like an ode to passion and the world’s cultures. *An exceptional series hosted by the Paris-based fashion journalist Katya Foreman. Hosted by Ausha. See ausha.co/privacy-policy for more information.

#49

Jeffrey Gibson Explores the Complexities of Loving and Being Loved for Dior Lady Art

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to t ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. Collaborating with Dior Lady Art for a second consecutive season, artist Jeffrey Gibson, a member of the Mississippi Band of Choctaw Indians and Cherokee descent, returns with a piece inspired by his 2017 punching-bag sculpture “LOVE IS THE DRUG,” themed around the complexities of loving and being loved. An advocate of artisans, materials, pattern and adornment, the New York-based artist – known for his ultra-colorful works that combine traditional Native American craftsmanship with a bold, almost psychedelic aesthetic – also plays with texts and slogans, embracing the power of speech as he celebrates the forgotten and the marginalized. Thus, his latest Lady Dior is fully beaded on one side, with the word “Love” repeated three times in a signature LCD-style font, while the other is loaded with over 70 jangling 3D-printed hearts. “Being a person of color traveling around the world – I’ve lived in London, South Korea, Germany and different states in the United States – I think I’ve really always paid attention to how people dress themselves and adorn themselves,” says the artist. “I’m really interested in different kind of movements, whether it’s feminist movements, LGBTQ movements or Indigenous liberation movements, and the ways that we codify that in how we dress.” Download the episode to learn more about Jeffrey Gibson’s fascinating universe. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

23 Dec 2024

18 MINS

18:02

23 Dec 2024

#48

DLA - Hayal Pozanti Explores the Power of Nature and Collective Dreaming for Dior Lady Art

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. Our latest guest is artist Hayal Pozanti, who explores dreaming as a collective power to create a new reality. The Turkish-born, US-based artist lives in Manchester in rural Vermont, a town surrounded by forest-covered mountains, endless lakes and rivers and waterfalls and greenery. Drawing on the tradition of plein air painting, Pozanti creates preliminary pastel sketches during hikes which she transforms into large-scale landscapes, painting with oil sticks, her fingers, her hands and body. The artist draws upon her experiences of the natural world, her dreams and her intuitions, directing the gaze towards a fictional elsewhere that feels irresistibly real. For Dior Lady Art, Pozanti has created three Lady Dior bags inspired by her art and travels into the heart of the mountains. The first two designs feature details drawn from her passion for trekking: sheepskin inserts reminiscent of the lining of hiking boots, custom carabiners hand-crafted by the Dior Ateliers and feet recalling the star-shaped tips of walking poles. The iconic “D, I, O, R” charms are translated into hieroglyphs conceived by the artist. Based on a painting Pozanti created on a beach during a full moon, the third model is a clutch painted with a nocturnal panorama and embroidered with comet-like trails of rhinestones; the interior is covered with mirrors, offering a reflection of oneself and the earth. “It's a painting that encompasses all that is magic about our world,” says the artist. Download the episode to learn more about Hayal Pozanti’s fascinating universe. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

16 Dec 2024

21 MINS

21:32

16 Dec 2024

#47

[Feminism] Justine Picardie talks to Dior’s very own Creative Director of Women’s collections Maria ...

Welcome to ‘Feminism’, the new series of ‘Dior Talks’ podcasts, hosted by Justine Picardie. ‘Dior Talks’ creates fascinating spaces for expression, exploring the imaginations and discourses of the artists and thinkers who influence Maria Grazia Chiuri. ‘Feminism’ engages in dialogue with the women who have inspired the Creative Director of Women’s collections and taken part in bold, empowering collaborations with the House. An exceptional roster of guests shares the magic of their thinking and the key moments of their careers with biographer and journalist Justine Picardie. In this very special, two-part episode, Justine Picardie goes back to the origins of it all with Maria Grazia Chiuri herself, who was the guest on the very first ‘Dior Talks podcast’ on the subject of feminist art in March last year. On this occasion she is joined by her dynamic daughter and muse Rachele Regini, to delve deep into the issues and passions which drive them both in the work they do and the intellectual and creative journeys on which they embark. Maria Grazia Chiuri needs little introduction. She has been at the helm of Dior since 2016, creating the ready-to-wear and haute couture collections for the House and pursuing a radical, multi-generational and multinational manifesto for contemporary womenswear. This year she published ‘Her Dior: Maria Grazia Chiuri's New Voice’, featuring the work of over thirty of the photographers with whom she has collaborated for the House. Rachele Regini is her daughter with husband Paolo Regini and was raised in Rome. She studied Art History and then Gender Studies at the prestigious Goldsmiths College of Art in London and now lives and works in Paris, where she is a cultural advisor in the Dior creative department. In this episode, the trio discuss the meaning of sisterhood, the female spirit through the generations and the challenges of female creativity past and present. Maria Grazia Chiuri reminisces about her journey to a career in fashion and the changes which have taken place in the roles which women can now play in the industry. Like the Creative Director’s own mother, women were historically expected to be dressmakers, while men became couturiers. Paradoxically, they talk about the huge changes in fashion wrought by Monsieur Dior and how his New Look revolutionized the way women dressed. Regini elaborates on how her studies and research, into politics, gender, art and activism, have influenced her own style and the dialogue around stylistic and political principles which she shares with her mother. Crucially, the two also discuss manhood, and how the modern notion of masculinity can be reinterpreted, how fashion can play a vital role in removing stereotypes and redefining sexual politics. Both mother and daughter are avid readers and passionate advocates for women’s genius and liberation, and the ways in which fashion can express and promote both. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

20 Sep 2021

30 MINS

30:39

20 Sep 2021

#46

[Feminism] Felicity Jones talks about acting, gender politics and her rejection of all-male environm...

Welcome to ‘Feminism’, the latest series of ‘Dior Talks’ podcasts, hosted by Justine Picardie. ‘Dior Talks’ creates fascinating spaces for expression, exploring the imaginations and discourses of the artists and thinkers who influence Maria Grazia Chiuri. ‘Feminism’ engages in dialogue with the women who have inspired the Creative Director of Women’s collections and taken part in bold, empowering collaborations with the House. An exceptional roster of guests shares the magic of their thinking and the key moments of their careers with biographer and journalist Justine Picardie. This episode finds actress Felicity Jones talks about the huge changes which have taken place in the worlds of theater, film and television in the last few years, with the advent of the #MeToo movement and the increasing challenge to patriarchal structures. Through her more than twenty-five-year career, Jones has seen a revolution in gender politics across the board and has been witness to the exposure of the misogyny which she herself has experienced in the industry. She and Picardie also discuss women in the history of literature, both in drama and prose, and how long it has taken film and television to catch up with the central role which female characters have always had in the culture and canon. Felicity Jones was born in Birmingham in 1983, to an advertising executive mother and journalist father. She started acting at age 11, in an after-school workshop run by Central Television. At 14 she was starring in the TV series The Worst Witch and had a long-running role in the BBC Radio 4 soap opera The Archers. She has starred in many major television productions in the UK, as well as in the USA, and has appeared in numerous stage plays, including at the Donmar Warehouse and Royal Court Theatre. In 2011, she won a Special Jury Prize at the Sundance Festival and has also been nominated for Best Actress at the Academy Awards, the BAFTAs and the Golden Globes. In 2018, she starred in On the Basis of Sex, a biography of Supreme Court Justice Ruth Bader Ginsburg. Here, Picardie and Jones get to the heart of the female experience of the world of acting. Picardie is a longtime admirer of the actress’s work, and their conversation travels from industry dynamics, the frustrations of working on an all-male set, the snail’s pace of the industry’s promotion of women’s leading roles and the changes and challenges which Jones has seen and overcome. They delve into the problematic notion of male genius and its erasure of historic female collaboration, and they discuss the remarkable life and career of Bader Ginsburg. The actress is a fan of Maria Grazia Chiuri and has worn her creations for Dior many times, and at many key events in her career. As she herself puts it, Chiuri designs clothes which a woman “can wear down the pub”, an apt expression of the feminism and freedom which fashion can nurture. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

30 Aug 2021

25 MINS

25:21

30 Aug 2021

#45

[Feminism] Eleonora Abbagnato, star of international ballet & regular collaborator with Dior, discus...

Welcome to ‘Feminism’, the new series of ‘Dior Talks’ podcasts, hosted by Justine Picardie. ‘Dior Talks’ creates fascinating spaces for expression, exploring the imaginations and discourses of the artists and thinkers who influence Maria Grazia Chiuri. ‘Feminism’ engages in dialogue with the women who have inspired the Creative Director of Women’s collections and taken part in bold, empowering collaborations with the House. An exceptional roster of guests shares the magic of their thinking and the key moments of their careers with biographer and journalist Justine Picardie. In this third episode, Picardie talks to Eleonora Abbagnato, one of the most important female ballet dancers of her generation. The native Sicilian has risen to the top of the fiercely competitive world of classical dance in both Paris and Rome. She has formed a close and fruitful friendship with Maria Grazia Chiuri, whom she asked, in 2019, to design costumes for ‘Nuit Blanche’, a new production paying tribute to composer Philip Glass, created by young French choreographer Sébastien Bertaud, in which she starred. Chiuri’s enduring love of dance and movement chimed with Abbagnato’s passions to form the first in a series of profound collaborations. Eleonora Abbagnato was born in Palermo, Sicily, in 1978. No one in her family had ever danced before, but at the age of four she started to dance on her own in front of the mirror at home. She left her childhood home at age ten to study dance in Monte Carlo, and at 13 was touring Europe with legendary choreographer Roland Petit and his production of ‘The Sleeping Beauty’. She studied at the elite École de Danse de l’Opéra de Paris and joined the legendary Paris Opera Ballet in 1996. She has since had a meteoric ascent and, in 2021, is looking forward to her farewell performances as an étoile, or principal, this summer. She has also been highly prolific in her native Italy, where she co-hosted the Sanremo Festival in 2007 and, since 2015, has been the Director of the Corps de Ballet at the Teatro dell’Opera di Roma. Here, Justine Picardie and Abbagnato hit the discursive ground running, comparing impassioned notes on the history of classical dance, the changing role of female dancers and the challenges, both mental and physical, that ballet presents. Abbagnato opens up about the huge strain female dancers in particular are put under by (mostly male) choreographers but goes on to reflect on the important and vitalizing contribution women directors and choreographers are now making to the field. She considers the importance of motherhood, both the inspirations of her own mother and also her hopes and ambitions for her young daughters today. They unwrap the special connection she has formed with Maria Grazia Chiuri, and the understanding of the essence of form and movement that has enabled her and her fellow dancers to express such beauty and empowerment while performing in the designs of the house of Dior. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

25 Mar 2021

28 MINS

28:24

25 Mar 2021

#44

[Feminism] Robin Morgan, the poet, author & a key figure in the American women’s movement, talks tim...

Welcome to ‘Feminism’, the new series of ‘Dior Talks’ podcasts, hosted by Justine Picardie. ‘Dior Talks’ creates fascinating spaces for expression, exploring the imaginations and discourses of the artists and thinkers who influence Maria Grazia Chiuri. ‘Feminism’ engages in dialogue with the women who have inspired the Creative Director of Women’s collections and taken part in bold, empowering collaborations with the House. An exceptional roster of guests shares the magic of their thinking and the key moments of their careers with biographer and journalist Justine Picardie. In this second episode, Picardie talks to Robin Morgan, a hugely influential feminist theorist and much-published writer and journalist. Morgan has been a key figure in the women’s movement, both in the USA and internationally, since the early 1960s, and was also an early participant in the civil rights and anti-Vietnam War movements of the time. She is widely considered a crucial figure in the development of modern feminism and has been forming international networks of like-minded campaigners throughout her adult life. Robin Morgan was born in Florida in 1941, to a single woman who had come south to avoid the censure surrounding unmarried motherhood. She spent her early years as a child model and actor, appearing regularly in TV shows. However, her desire to write led her away from her mother’s ambitions for her acting career and towards a degree at Columbia University. She worked as a secretary for a literary agent after college and married poet Kenneth Pitchford in 1962, with whom she had a son, the musician Blake Morgan. At this time, Morgan became active in various leftwing movements, writing for radical publications such as ‘Liberation’ and ‘The National Guardian’. She joined the Civil Rights Movement and in 1967 co-founded the New York Radical Women group. In 1970, she published her first anthology of theoretical texts, ‘Sisterhood is Powerful’. Concurrently publishing volumes of poetry and works of fiction, she received a National Endowment for the Arts Fellowship in 1979 and has, to date, published 21 books of feminist theory, poetry and fiction and, including several years as editor-in-chief of Ms., has written for multiple newspapers and magazines in the USA and internationally. In 1984, she founded the Sisterhood is Global Institute with Simone de Beauvoir, and in 2005 co-founded the Women’s Media Center. In this second episode of ‘Feminism’, Justine Picardie and Robin Morgan get right to the heart of the major concerns and challenges which have faced and continue to face feminist struggles internationally. Morgan reflects on the surprises and insights of having lived eight decades and recalls the injustices which women faced in their daily lives when she was young. They discuss the transition to post-feminism and the different approaches to women’s causes around the world. Morgan considers the ever-evolving relationship between feminism and the cultural left, and also the perennial hostility from the right. They also talk about Morgan and Maria Grazia Chiuri’s mutual admiration and budding friendship, and the unlikely but magical interaction of fashion and radical feminism which occurred when Chiuri chose to honor Morgan’s remarkable career at a special ceremony in February 2019 in Paris. Morgan has been a long-standing inspiration for the Creative Director of Women’s collections. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

18 Mar 2021

32 MINS

32:28

18 Mar 2021

#43

[Feminism] Sharon Eyal, the singular dancer and choreographer, talks to Justine Picardie about her p...

Welcome to ‘Feminism’, the new series of ‘Dior Talks’ podcasts, hosted by Justine Picardie. ‘Dior Talks’ creates fascinating spaces for expression, exploring the imaginations and discourses of the artists and thinkers who influence Maria Grazia Chiuri. ‘Feminism’ engages in dialogue with the women who have inspired the Creative Director of Women’s collections and taken part in bold, empowering collaborations with the House. An exceptional roster of guests shares the magic of their thinking and the key moments of their careers with biographer and journalist Justine Picardie. Here, Picardie talks to Sharon Eyal, the highly esteemed dancer and choreographer, who directs the L-E-V Company, the unconventional yet rigorous dance troupe she founded with performance curator Gai Behar. Trained in classical ballet, she swiftly developed her own uncompromised style early in her career. She has become known for an expansive range of reference, strongly defined aesthetics and complex choreography, has won numerous major awards for her work and performed with her company worldwide. Sharon Eyal was born in Jerusalem, a self-described ‘hyperactive child’ until her parents signed her up for ballet lessons at the age of 4. From 1990 to 2008 she danced with the Batsheva Dance Company, founded by Martha Graham in 1964, and served as associate artistic director for the Batsheva Dancers Create program from 2005-12. Since its founding in 2013, L-E-V has been the arena for her profound, beguiling vision of choreography, with electronic music, fashion, contemporary art and club culture regular references. The company has performed at major venues such as the Joyce Theater, New York, and Sadler’s Wells, London, and international festivals including Jacob’s Pillow Dance Festival, Montpellier Danse and Julidans. In this first episode of ‘Feminism’, Justine Picardie, a longtime fan, asks Eyal about her unrelenting passion for dance and movement as they discuss the central themes of freedom, physicality and flight, both corporeal and emotional. Despite its grueling realities, dance has been a release for Eyal and, intriguingly, a centering source of calm. She talks about the connection she formed with Maria Grazia Chiuri collaborating on the Spring-Summer 2019 show at which Eyal’s dancers gave a remarkable performance, an experience repeated in ‘Disturbing Beauty’, the film that presented the Autumn-Winter 2021-2022 collection. Eyal finds huge inspiration in Maria Grazia Chiuri’s designs and recognizes the importance of female movement, female expression and, most crucially, female liberation in the women’s collections. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

11 Mar 2021

29 MINS

29:39

11 Mar 2021

#42

[DLA] Xu Zhen reinvents the Lady Dior: invitation to discover his unique imagination revisiting the ...

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique piece of art. With his 360-degree vision of the art world, as a gallerist and curator, our latest guest, the renowned Chinese contemporary artist Xu Zhen, combines installation, video, painting and performance in a singular, inventive universe that explores subjects ranging from socio-political taboos to consumerism and the principles of the art market. The artist’s fascinating works subvert – not without irony – notions of artisanship and originality (relative to mass production), as well as concepts of ownership and globalization in the digital age. He thwarts and questions their effects on the art market, making visible certain dissonances and the resulting absence of logic. For Dior, the conceptual artist, who has exhibited at a number of prestigious art institutions and biennales internationally, including the Venice Biennale, MoMA PS1 in New York and the Hayward Gallery in London, wanted to reflect on the value and meaning of discourse. Inspired by his “Metal Language” series – and made of transparent plexiglass and mirror-effect printed fabric – his two versions of the Lady Dior are adorned with golden and silver phrases and exclamations applied on a reflective surface to evoke a screen. The words are edged with gold and silver chains, like speech bubbles, serving as symbols of the emptiness of a language that no longer has any real functionality. Tune in to the episode to learn more about the artist’s playful and thought-provoking concept behind the bags. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

01 Apr 2024

15 MINS

15:27

01 Apr 2024

#41

[DLA] Artist Mircea Cantor revisits the Lady Dior through an entrancing interplay of optical effects...

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique piece of art. In this new episode, we immerse ourselves in the poetic universe of Mircea Cantor, an internationally renowned Romanian artist whose works, suspended between dream and reality, lucidly reflect his commitment to contemporary society. Cantor’s singular vision is embodied in a polymorphous practice that utilizes a variety of media, such as video, animation, sculpture, drawing, photography and performance but also collaborations with artisans for the conception of unprecedented installations, with a view to broadening the field of knowledge through this savoir-faire. Awarded the Marcel Duchamp Prize in 2011, his works are presented in prestigious international collections, notably the Pompidou Center in Paris, the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington. The artist’s protean approach plays out in two Lady Dior creations that feature bewitching optical effects, textures and perspectives. Dressed by turns in black or beige leather, they are adorned with captivating embroidery evoking the beauty of the garden of Eden, filled with flowers of every variety, inspired by a traditional gilet from western Romania. In contrast, the graphic lines of the bag’s cannage motif are highlighted by leather cord, an essential element of embroidery and leatherwork symbolizing connection, transmission and continuity. Completing the designs, the handles bear the words “make heaven out of what you have” – in French, English and Romanian – a true artist’s manifesto, while the charms are reinvented in an elaborate golden version, borrowed from the lexicon of jewelry. As a finishing touch, the inside of each bag contains a hand-designed silk scarf signed by Cantor as well as a logbook annotated by the artist. Tune in to the episode to learn more about the genesis of this exceptional project. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

25 Mar 2024

22 MINS

22:09

25 Mar 2024

#40

[DLA] Artist Mariko Mori transforms the Lady Dior into an emblem suffused with light

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique work of art. In this latest episode, we plunge into the esoteric, cosmic universe of Mariko Mori. Operating in another realm spanning the past, present and future, the internationally acclaimed Japanese artist through her futuristic multidisciplinary works blurs the lines between art and technology, exploring themes including life, death and rebirth, prehistory, the cosmos and spirituality. For Dior Lady Art, Mori used her signature dichroic vacuum deposition and lenticular techniques to take the iconic Lady Dior handbag into a new dimension, harnessing her mastery of light, which she describes as “an inner source for all living things.” Seemingly inhabited by light which shifts as the bag is moved, the first of three bags features an inner landscape inspired by the ālaya, the eighth consciousness in Buddhism. The second – in a small format – celebrates Dior heritage through an emblematic white bow made from an innovative fabric that lights up in an array of select colors in a crafted sequence. The final design with its compact, minaudière dimensions, resembles a rainbow-colored bubble, evoking a space-time capsule on which the "O" of the "D.I.O.R." charms is transformed into a model of the artist’s monumental sculptural installation, “Ring: One With Nature.” As a final surprise, the bags’ interiors are dressed in a unique shade of delicate pink, heightening the bag’s feminine essence. Tune in to the episode to learn more about the artist’s fascinating world. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

18 Mar 2024

19 MINS

19:28

18 Mar 2024

#39

[DLA] Artist Michaela Yearwood-Dan reinvents the Lady Dior, an invitation to her powerful yet delica...

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique piece of art. Known for her colorful, lush, light and airy botanical paintings, our latest guest artist, Michaela Yearwood-Dan, much like Monsieur Dior in his time, has a passion for flora and fauna. Through her visually striking abstract works, the multifaceted British artist questions norms and celebrates singularities, recounting the present through a reading of the past. Switching scales, for Dior Lady Art, the London-based artist wanted to immortalize a site-specific curved mural she made in 2022 for a new LGBTQ+ art hub created by Queercircle, London. Titled “Let Me Hold You”, the monumental work, which covered the entire space, symbolized holding the community, creating a sense of sanctuary for visitors. Playing with texture, patterning, fabrics and beading, and incorporating her signature collage technique, the artist transposed parts of the mural onto two unprecedented versions of the Lady Dior handbag. Using Dior savoir-faire of excellence, precious embroideries reproduce the effects of materials adorning the artist’s paintings, including ceramic pansy petals reinterpreted as metal adornments punctuating one of the exceptional models in a poetic deep blue shade. The emblematic ‘D.I.O.R.’ charms are in turn revisited, sometimes in deep black, sometimes embellished with a leaf. Odes to the beauty of gestures play out in a powerful yet delicate universe imbued with messages of love and acceptance. Tune in to the episode to learn more about the artist’s fascinating world. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

11 Mar 2024

23 MINS

23:54

11 Mar 2024

#38

[DLA] Artist Hilary Pecis revisits the Lady Dior, adorning it with enchanting embroidered flowers

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique piece of art. Bringing the joyous vibrancy of her work to the Lady Dior universe, LA-based artist Hilary Pecis is known for her color-drenched contemporary still-lifes capturing domestic settings, filled with cats, vases of flowers, stacks of books and other signs of everyday life, with references to art history. Her streetscapes and landscapes are imbued with the special light and visual codes of California. The artist approached the Lady Dior handbag as a three-dimensional canvas surface. Using the virtuoso savoir-faire of the Dior ateliers, she reinterpreted one of her paintings, “Botanical Garden,” depicting a lily pond and reflections from a domed glass ceiling. An ode to the beauty of the plant world so dear to Christian Dior, Pecis’s Lady Dior is festooned with white lotuses and lily pads embroidered with a textured profusion of beads, sequins and rhinestones in all shades of green, as if they were growing off the bag, while the handle has a delightful organic “wobbliness” to it. The velvet-lined creation with its 3D volumes and ornate preciousness also holds personal symbolism, with tributes to her grandmother’s collection of costume jewelry and accessories which she liked to dress up in as a child. “She also had an incredible handbag collection and I wanted to reimagine a Dior bag that would appeal to my six-year-old self and me today, as well as my grandma if she were still alive,” says Pecis. Tune in to the episode to learn more about the artist’s colorful universe and the inspirations behind her Lady Dior bags. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

04 Mar 2024

19 MINS

19:58

04 Mar 2024

#37

[DLA] Artist Ludovic Nkoth reinterprets the iconic cannage for Dior Lady Art

26 Feb 2024

25 MINS

25:36

26 Feb 2024

#36

[DLA] Artist Jeffrey Gibson takes part in the VIIIth edition of Dior Lady Art, a passionate tribute ...

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique work of art. Bridging heritage and reinvention, New York-based Jeffrey Gibson dreams up multicolored works fusing traditional Native American craft techniques with a bold, almost psychedelic Pop aesthetic. Influenced by his peripatetic childhood, the multimedia artist curates a mash-up of aesthetic references, ranging from queer aesthetics to fashion, while exploring the power of the spoken word through phrases that resonate with his world, celebrating the forgotten and the marginalized through the prism of art. Adorned with patterned beadwork, partly inspired by the artist’s iconic punching bag series, and tagged with the phrase “I can do whatever I choose,” the Lady Dior takes on an object sculpturalness. Working with Dior’s petites-mains, Gibson used a mix of glass and beadwork of varying sizes to achieve different textures, offset with fluorescent neoprene and netting, while the handles are covered in rhinestones that give a Sixties vibe. A second small-format version of the iconic bag is embroidered with a face, the artist’s emblem, with a stone for a nose, a 3D-printed shell mouth, and beaded eyes using elements from West Africa. The “D.I.O.R.” charms metamorphose into giant pixels, materializing the link between past and present. An extension of his artistic universe, the Lady Dior in Gibson’s hands transforms into a multicolored totem for exploring the cultural realities of modern life, in a masterful mélange of narratives and references. Tune in to the episode for a deep dive into his universe. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

19 Feb 2024

23 MINS

23:50

19 Feb 2024

#35

[DLA] Artist Zadie Xa reinterprets the Lady Dior through the virtuoso craft of Najeonchilgi

12 Feb 2024

29 MINS

29:15

12 Feb 2024

#34

[Female gaze] The feminist art historian and critic discusses self-portraiture and photography as to...

Welcome to the 17th episode of the Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers, directors and creatives collaborating with Dior offers a radically new and progressive image of women. In this new episode, series host Charlotte Jansen, a British journalist and author, talks to Raffaella Perna, the highly-esteemed Italian art historian and theorist of feminist visual cultures. A prolific writer, Perna has been based in Rome for much of her career, maintaining her theoretical practice and teaching widely, including at the prestigious Sapienza University. She is also a curator, and last year co-curated with Marco Scotini the exhibition The Unexpected Subject: 1978 Art and Feminism in Italy at the FM Centro per l'Arte Contemporanea in Milan, sponsored by Dior. Perna has a long and distinguished biography as a specialist in Italian feminist art, and the country’s feminist movements in general, most particular during the vital and energized years of the 1970s. She has a particular focus on self-portraiture and its ramifications for female creative agency. She first met Maria Grazia Chiuri in 2008, through feminist icon and artist Tomaso Binga, to whom Charlotte has also spoken as part of this series. The two immediately identified with each other through their mutual passions and concerns, and Perna was instantly struck at how unusual it was for Chiuri as a fashion designer to be so influenced, and so creatively driven, by the politics and conceptual concerns of the movement. She also recognized how influential fashion is, and how interesting it is to consider the potential for its impact as a vehicle for conversation and action. Here, Charlotte Jansen chats with Raffaella Perna about her dedication to the individuals and trailblazers who have formed the very specific and challenging feminist movements in Italy. The ’70s marked an extraordinary time for women in the country, as a previously conservative and religious society in which women had always occupied a constricted role was exploding and expanding. Women were writing, teaching, making art and campaigning as never before, and Perna is in the unique position to both remember and contextualize it all. She describes the rich landscape of relationships and collaborations which constituted the world of Italian feminism at that time, and her role as a primary theorist and recorder enables her to offer meaningful, prescient comment on the contemporary situation in 2020. Raffaella Perna is one of the only The Female Gaze guests who has not been either a photographer, director or artist herself, and Charlotte Jansen takes the opportunity to delve deeply into the founding principles and dreams of feminism, which has inspired and continues to inspire the work of the Creative Director of Dior women’s collections so profoundly. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

29 Oct 2020

31 MINS

31:05

29 Oct 2020

#33

[Female gaze] Artist and photographer Viviane Sassen discusses the connections between fine art & fa...

Welcome to this 16th episode of the new Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers and creatives collaborating with Dior offers a radically new and progressive image of women. In this episode, series host Charlotte Jansen, a British journalist and author, speaks with the Dutch artist and photographer Viviane Sassen, whose highly prolific, category-defying career blurs the boundaries between fine art and fashion photography, and whose unique aesthetic led to a collaboration with Maria Grazia Chiuri to photograph the campaign for the cruise 2019 collection with Jennifer Lawrence. Her uniquely dream-like aesthetic originates partly from her early childhood experiences in Africa and also with her determinedly expansive approach to photography and insistence on viewing the image through varied metaphorical lenses. Viviane Sassen was born in Amsterdam but spent some of her formative childhood years in Kenya, before her family moved back to the Netherlands in 1978. She studied design and photography and gained a Master’s in Fine Art from the prestigious Ateliers Arnhem. She has returned repeatedly to Kenya and other parts of Africa throughout her career and credits her early experiences in the region for her fascination with ideas of place, identity and anonymity and her use of ideas of memory, abstraction and surreality in her work. She has shown widely around the world, including exhibitions at MoMA, Les Rencontres d’Arles, Nederlands Fotomuseum and the Photographer’s Gallery in London. She was awarded the Dutch Prix de Rome in 2007 and many other awards internationally in recognition of her work. In this week’s episode, Sassen discusses her life and the concept of time in the studio during lockdown and her relationship to the travel and movement which is inherent in her practice. She also speaks about her own viewpoint and her various subjects; how aspects of this gaze are constant and deeply personal, but also how her eye shifts and adapts according to the project she is working on, whether fine art photographs or her prolific output as a fashion photographer. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

22 Oct 2020

29 MINS

29:47

22 Oct 2020

#32

[Female gaze] The photography rule-breaking fashion photographer discusses her career, aesthetic, an...

Welcome to the 15th episode of the Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers and creatives collaborating with Dior offers a radically new and progressive image of women. In this episode, series host Charlotte Jansen, a British journalist and author, talks to Julia Hetta, the acclaimed Swedish fashion photographer who has carved out a distinct position in the industry for her highly choreographed, minutely constructed images for editorial, advertising and portraiture. She takes much inspiration from Old Master paintings, particularly the Dutch still life tradition, and brings a beguiling process of finely balanced composition to a world so often preoccupied with fast appeal. Julia Hetta was born in Uppsala in 1972 and studied at the Gerrit Rietveld Academie in Amsterdam in the early 2000s. As a child she was fascinated by photography and the darkroom which her father had constructed in the basement. She painted and drew, but realised that photography enabled her to realise her ideas of light and shadow with more immediacy and she embraced the development of black and white images. Later she worked for a photographer’s agency but was not concerned with assisting photographers directly, preferring to define her craft through the inspirations of photojournalism. Since starting to work in the fashion world, she has shot for Vogue Italia, British Vogue, AnOther Magazine, W Magazine, L’Uomo Vogue and Dazed & Confused, among many others, and has done campaigns for major labels. She has photographed myriad celebrities, most particularly prominent women, and was also commissioned to take birthday portraits of Queen Silvia of Sweden in 2013. In 2014, her work was included in the exhibition Stop Now: Fashion Photography Next, at Foam Museum in Amsterdam. Here, Charlotte Jansen and Julia Hetta discuss her route to fashion photography and the inspirations she has drawn on in her dedicated study of chiaroscuro and the interplay of darkness and luminosity. She describes working around her innate shyness to form her craft, from her early pictures of her brother to her current work for industry majors. Their conversation veers from the simplicity of Swedish visuals to the writings of Toni Morrison, as they deconstruct Hetta’s complex yet crystalline approach to the representation of women in photography. Finally, Hetta describes her experience shooting the Spring-Summer 2018 haute couture collection for Dior Magazine, and the brave decision of Maria Grazia Chiuri, the Creative Director of Women’s collections, to only collaborate with women. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

15 Oct 2020

32 MINS

32:06

15 Oct 2020

#31

[Female gaze] Mexican photographer Maya Goded discusses her exhaustively researched projects documen...

Welcome to this 14th episode of the new Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers and creatives collaborating with Dior offers a radically new and progressive image of women. In this episode, series host Charlotte Jansen, a British journalist and author, speaks with Maya Goded from her home in Mexico City. Goded is no ordinary arbiter of the photographic form, spending years, sometimes decades, working on individual research projects and painstakingly building visual documents of women and womanhood from every stratum of Mexican society. From her sensitive and inquiring photographs of women’s precarious existence, to her subtly moving portrait of Maria Grazia Chiuri, she offers a thoughtful discussion of her working processes and her socially conscious approach to contemporary life. Maya Goded was born in Mexico City in 1967 and currently resides in the beautiful Coyoacán neighborhood which is also home to Frida Kahlo’s Blue House (La Casa Azul). She assisted other photographers before embarking on her solo career, and her first major project was a three-year endeavor photographing Afro-Mexicans, titled Black Earth. She has consistently focused on themes of female sexuality, gender violence, prostitution and the traditional role of motherhood assigned to women in Mexican society. In 2001, she held a major solo exhibition at the Museo Nacional Centro de Arte Reina Sofía in Madrid, titled Sex Workers 1995-2000, which was hailed for its penetrating, refreshingly nuanced portrayal of its subjects. An unstinting commitment to listening and sensitive observation is the hallmark of Goded’s work, which has allowed her to reveal so many layers of women’s lives without cliché or condescension. Goded has received numerous prestigious awards for her work, including the Guggenheim Fellowship, the FotoPres La Caixa prize and the W. Eugene Smith Memorial Fund. Here, Charlotte Jansen speaks to Maya Goded about the breadth of her practice and how she views the world at this extraordinary time. They discuss how lockdown has forced each of us into a reckoning with ourselves and our lives and how this year’s eerie silence has led to millions of personal examinations of the potential for change. They reminisce on Goded’s intimate portrait of Maria Grazia Chiuri and the brief, bonding time they spent together. They also reflect on the striking images Goded took of the Dior Cruise 2019 collection. Through her multifaceted and lovingly empathetic practice, Goded is an ideal figure to consider the question, what does it take to change the way we see a woman? Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

08 Oct 2020

29 MINS

29:57

08 Oct 2020

#30

[Female gaze] The director discusses the film she made for the Spring-Summer 2021 show and her relat...

Welcome to this 13th episode of the Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers, directors and creatives collaborating with Dior offers a radically new and progressive image of women. In this new episode, series host Charlotte Jansen, a British journalist and author, talks to Alina Marazzi, the Italian director commissioned by Creative Director of Women’s collections Maria Grazia Chiuri to create a short film to be unveiled before the Dior Spring-Summer 2021 show. Marazzi, who lives and works in Milan, has been an established name in the worlds of film and theatre direction for twenty years and is much respected for the focus on female subjectivity, motherhood and memory in her work. She has always been profoundly influenced by feminist theory, particularly – and coincidentally – by the work of Laura Mulvey. Alina Marazzi was born in Milan in 1964. She lost her mother, the writer Luisa Marazzi Hoepli, in 1972 and this trauma informed Marazzi’s work later in life. She studied film in London in the 1980s, focusing on documentary and experimental film. Her first feature, ‘Un'ora sola ti vorrei’ (‘For One More Hour with You’), about her mother’s life, was released in 2002, and since then she has released numerous further films, both documentary and fictional, as well as directing theater and contemporary opera productions. She has won various international awards for her work and her films have been screened widely, from BBC4 in the UK to the Locarno Film Festival in Switzerland. In 2014, she was a visiting lecturer at Warwick University, and she is guest lecturer at the Nuova Accademia di Belle Arti in Milan. Here, Charlotte Jansen and Alina Marazzi discuss the phone call she received from Maria Grazia Chiuri, inviting her to create the short film for the Spring-Summer 2021 show, and the access the project gave her to the archives of the iconic feminist artist Lucia Marcucci, who has been a great inspiration both to her and to Maria Grazia Chiuri. The film creates a tableau vivant of Marcucci’s groundbreaking legacy and acts as a moving intellectual basis for the collection, as it were one of the pillars of the collection’s conceptual manifesto. Marazzi discusses the foundational ideas of her films, the thinkers and critics who have helped to crystalize her own message. She contemplates the striking similarities and crossovers between her own and the Creative Director’s working methods and the meeting of minds they experienced, which formed the basis of this beautiful short. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

02 Oct 2020

34 MINS

34:44

02 Oct 2020

#29

[Female gaze] Jodi Bieber, the South African photographer and World Press Photo of The Year winner d...

Welcome to this 12th episode of the new Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers and creatives collaborating with Dior offers a radically new and progressive image of women. In this episode, series host Charlotte Jansen, a British journalist and author, speaks with Jodi Bieber, a Johannesburg-based photographer who eschews categorizations of her work and casts a singular, gimlet eye on the worlds she documents. Despite having photographed many distressing subject matters and harrowing events worldwide, she rejects the label of ‘photojournalist’ and has no interest in objectifying or typecasting people or places. From her native South Africa to Afghanistan, from women prisoners to intimate portraits of her husband during lockdown, her work is characterized by a modest wonder at the richness and diversity of human life. Jodi Bieber was born in Johannesburg in 1966. In the early ’90s she trained under David Goldblatt and Ken Oosterbroek, two major figures of photojournalism and portraiture respectively in South Africa. Her first professional commission was to cover the 1994 South African general election, and in 2000 she documented the Uganda ebola outbreak for the New York Times magazine. She has continued to travel the world, working extensively with international NGOs, and has undertaken many commissions at home, such as her exquisitely honest images of the Soweto township. She has published four monographs of her photographs and her works feature in many major collections, including the Johannesburg Art Gallery and the Pinault Collection. In 2010, she won the World Press Photo of the Year award for her haunting portrait of Bibi Aisha, a young Afghan woman brutally disfigured by the Taliban. Here, Charlotte and Jodi talk in depth and across the board, from Bieber’s dedication to the education of her students in Johannesburg and the unique and idiosyncratic project she undertook through lockdown, photographing her husband François in a variety of bizarre and surreal costumes. She considers the juxtaposition of the seriousness of much of her subject matter with the humor and absurdity necessary to cope with the unique circumstances of 2020. She describes the multiple faces of her hometown, the beautiful light and the diversity which makes it such a remarkable city. She also shares her razor-sharp observations about the current conditions and challenges of making images of women in South Africa and indeed worldwide and the extraordinary pictures she took of the Dior Cruise 2020 collection. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

24 Sep 2020

31 MINS

31:00

24 Sep 2020

#28

[Female gaze] Bettina Rheims, a major figure in the world of portrait photography, discusses her rem...

Welcome to this eleventh episode of the new Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers and creatives collaborating with Dior offers a radically new and progressive image of women. In this episode, series host Charlotte Jansen, a British journalist and author, speaks with one of the legendary figures of photography in the last half century. Bettina Rheims has been prominent and highly prolific in the world of portraiture, and also fashion photography, for four decades, having first picked up a camera in 1978. She started by photographing a group of female striptease artists and became fascinated by capturing the femininity, power and corporeality of womanhood. This is a fascination which she has maintained ever since in a long and varied career. Bettina Rheims was born in the Paris suburb of Neuilly-sur-Seine in 1952, into a family deeply involved with the worlds of art, literature and the media. Her passion for photography evolved in the late 1970s, after she had already had careers as a model, journalist and gallerist. She had published almost twenty books of her images from the 1980s to the 2010s. She has photographed Catherine Deneuve, Charlotte Rampling, Madonna, Marianne Faithful and Claudia Schiffer amongst many, many others. She has also undertaken advertising campaigns for numerous fashion labels and worked with countless international magazines. She has always combined her skill in capturing the unique qualities of her famous female subjects with an interest in the bizarre, shocking and subcultural. She has had solo exhibitions at the Centre Pompidou, the Kunsthal Rotterdam and the Musée d’Art Contemporain, Lyon. In 2016, as part of the #TheWomenBehindTheLens project initiated by Maria Grazia Chiuri, Rheims photographed Laetitia Casta for Dior Magazine as the embodiment of a modern, liberated woman. In this week’s episode, Jansen speaks with Rheims about her radical ideas of beauty and femininity, and how these have evolved over the years. Having taken portraits of prisoners, porn actors, political figures and countless women both cisgender and trans, Rheims has constantly expanded and developed notions of womanhood and womanly strength. When asked why she photographs women, Rheims answers with characteristic honesty, “This is the question I have been asked the most. I haven’t yet found an answer.” This episode represents a treasured opportunity to hear her deepest thoughts on this and other prescient subjects. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

17 Sep 2020

31 MINS

31:47

17 Sep 2020

#27

[Female gaze] Fashion photographer Nadine Ijewere talks about heritage, combating cultural stereotyp...

Welcome to this tenth episode of the new Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers and creatives collaborating with Dior offers a radically new and progressive image of women. In this episode, series host Charlotte Jansen, a British journalist and author, talks to Nadine Ijewere, who is making major strides in the world of fashion photography at a remarkably young age. Despite a childhood passion for the art, Ijewere decided to forego the usual career ladder of studio apprenticeships and assisting, identifying early on a profound lack of true and representative images of women of color in the fashion industry, something she has consistently worked to rectify. From her first images of her group of ethnically diverse girlfriends to her work for major magazines, galleries and photo festivals, she hones her critical study of concepts of beauty and builds on her ongoing project to turn physical imperfections upside down. Nadine Ijewere was born in 1992 and grew up in South-East London with Jamaican and Nigerian heritage. Photography was a creative outlet for her through her school years and she went on to study it at the London College of Fashion. After graduating she chose the atypical step of working in interior design, whilst continuing to shoot images of her friends in her spare time. Concerned by the crass stereotyping of ethnicities and cultures in fashion imagery, she worked with models of color from the start and posted her early work on social media. Quickly gaining recognition for her refreshing and searching depictions of multiracial subjects, she has since been in great demand for her ability to create beautiful fashion images which, through their reflection of her own diverse heritage and community, have offered a sorely needed break from the clichés and compartmentalization characteristic of the industry. In 2019, at the incredibly young age of 27, she became the first woman of color to shoot the cover of any Vogue magazine, with British Vogue. She has worked with many major publications around the world and has exhibited her work widely, including at Tate Britain in 2016 and the Lagos Photo Festival in 2017. Here, Charlotte Jansen and Nadine Ijewere chat about London life, the diversity of the city and the very specific experience of being a child of mixed heritage in a white majority society, from the attitudes to black women’s hair to the preconceived perceptions which are invariably never far away. They discuss Ijewere’s modest disbelief at being invited to shoot the cover of Vogue, as well as her recent receipt of the International Center of Photography’s 2020 Infinity Award. She describes her surprised excitement at the rapid trajectory of her career and the influential and inspiring figures she is collaborating with. Not least, she reflects on the experience of shooting the Dior 2020 Cruise campaign and working with Creative Director of Women’s collections Maria Grazia Chiuri. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

04 Sep 2020

30 MINS

30:35

04 Sep 2020

#26

[Female gaze] Fashion photographer Paola Vivas discusses the new power dynamic being established by ...

Welcome to this ninth episode of the Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers and creatives collaborating with Dior offers a radically new and progressive image of women. In this episode, series host Charlotte Jansen, a British journalist and author, speaks with young fashion photographer Paola Vivas, who is making waves in the fashion world with her fresh, natural perspective on femininity and gender. She speaks about her unlikely move to London and the diversity of the city which she finds so inspiring and also reflects on her Mexican roots and their influence on her aesthetic. She also discusses her 2018 collaboration with Dior. Paola Vivas was born and raised in Merida in southern Mexico, an area of great beauty with a very distinctive culture and way of life. She initially came to London for a holiday while she figured out her next move after studying fashion design in Mexico. That holiday became a permanent relocation when she signed up for a course in fashion photography at the University of the Arts, having fallen in love with the creativity and diversity of the city. Since then she has moved quickly, becoming part of a new wave of young female photographers changing the boundaries and language of the depiction of the female body and the portrayal of womanhood and gender in fashion imagery. In this new episode, Paola Vivas tells Charlotte Jansen about her complex relationship with London and how it has changed and influenced her work over time. They talk about her experiences of lockdown as a creative and image-maker and how it has enriched her understanding of urban space and possibility. In 2018, Paola Vivas was one of a group of Mexican women photographers commissioned by Maria Grazia Chiuri to shoot the Dior Cruise 2019 collection and she chose the extraordinary location of Luis Barragán’s architectural masterpiece, Cuadra San Cristóbal, as the setting of her Dior Magazine story. She elaborates on her collaboration with Dior and the beautiful, moving homage to Mexican female artistry which resulted. generation of young women photographers, and her collaboration with @MariaGraziaChiuri for Dior Magazine. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

06 Aug 2020

30 MINS

30:12

06 Aug 2020

#25

[Female gaze] Pamela Hanson talks about her thirty-year career and the path she carved as a woman in...

Welcome to this eighth episode of the new Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers and creatives collaborating with Dior offers a radically new and progressive image of women. In this episode, series host Charlotte Jansen, a British journalist and author, talks to Pamela Hanson, a major figure in the world of fashion photography. She has always formed a unique bond with her subjects and has turned her lens on the major figures of the fashion world, building a formidable body of work in the editorial, advertising and portraiture spheres. Pamela Hanson was born in London and grew up in Geneva. She originally moved to the USA to study fine arts at the University of Colorado and has lived and worked in New York for three decades. Throughout her career she has broken through entrenched gender barriers, working with and photographing generations of key players in the industry. She has seen first-hand the changes and evolutions which have taken place and has worked across media, creating a formidable catalogue of photographic and moving-image work. She has worked with all international editions of Vogue, Vanity Fair, Harper’s Bazaar, Elle and GQ, among many others, and has photographed and filmed a multitude of campaigns. In 2001, she published Girls, a book featuring over 200 examples of her personal and professional work, following this with Boys in 2006. In this week’s episode, Charlotte Jansen speaks with Hanson about the position of women in fashion, discussing her how she views the changes which have taken place and whether these changes will prove lasting and meaningful. Hanson set up her first darkroom at the age of 13 and, as such, has been examining her own observations of the world ever since. She discusses her initial interest in art history and her unlikely entrée into the world of fashion. Her long and varied experience provides the backdrop to her trademark personal, intimate relationship with her subjects. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

16 Jul 2020

28 MINS

28:26

16 Jul 2020

#24

[Female gaze] Lean Lui, a brilliant young Hong Kong-based fashion and art photographer, discusses he...

Welcome to this seventh episode of the new Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers and creatives collaborating with Dior offers a radically new and progressive image of women. In this episode, series host Charlotte Jansen, a British journalist and author, speaks with Lean Lui, a young photographer making major strides in the worlds of fashion and art imagery with her development of a dreamlike, metaphorical, emotional aesthetic. Self-taught, she only began taking pictures seriously two years ago when she was nineteen, the same age at which, incredibly, she also published her first book. She first picked up a camera when she was six years old and has been fascinated with image-making ever since. On the eve of her move to London to start an MA at Central Saint Martins, she is in great demand for fashion, editorial and gallery-based work. Now twenty-one years old, Lean Lui was born and lives in Hong Kong. She credits her interest in the photography to her early fascination with its chemical processes and arbitrary, analogue roots. Her love of this vintage aesthetic combined with a childhood obsession with reality TV modeling shows, and she started taking pictures of her friends and cousins while other children were in the playground. As she grew older, she developed a passion for the Surrealists and ‘wabi-sabi’, the Japanese aesthetic of transience and imperfection. Her greatest influences have always been painters and thinkers rather than other photographers. In the last couple of years, she has shot for Vogue Italia, VICE Magazine and Figaro HK, as well as the recent ‘Secret Garden’ shoot for Dior Magazine. In this week’s episode, Charlotte Jansen asks Lean Lui about her influences and ambitions for the future and her own particular approach to feminism and expanding notions of the female gaze. Lui describes herself as a solitary child, more interested in creating her own worlds and forming her own visual language than following the status quo. As she gets ready to embark on her MA at Central Saint Martins in London, she elaborates on her own 21st-century feminism and already considerable body of work, including her landmark series of images ‘Teenage Problems’ in which she captured a group of girls navigating their place in the world. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

09 Jul 2020

29 MINS

29:23

09 Jul 2020

#23

[Female gaze] Photographer Sarah Waiswa speaks about her work documenting the varied social issues o...

Welcome to this sixth episode of the new Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers and creatives collaborating with Dior offers a radically new and progressive image of women. In this episode, series host Charlotte Jansen, a British journalist and author, speaks with Sarah Waiswa about her life and career. Waiswa is a documentary and portrait photographer who has dedicated her practice to the study and portrayal of the people of her home continent, in all their extraordinary variety. She takes a very contemporary approach to examining social issues, avoiding trap of the clichés, and views herself as a visual poet and storyteller. Sarah Waiswa was born in Uganda during the time of the brutal dictatorship of Idi Amin, with her family forced to flee shortly afterwards. She grew up in Nairobi, Kenya, where she lives and works to this day. A self-taught photographer, having originally studied psychology and sociology in the US, it was her fascination with social topics in Kenya and the wider region which led her to take up the camera. She has photographed many subjects in many countries, and in 2016 won the prestigious Rencontres d’Arles Discovery Award for her moving and incisive project on the persecution of albinos in sub-Saharan Africa. Waiswa documents what she calls a ‘new African identity’ and is much focused on how the continent and its inhabitants portray themselves and are portrayed by the rest of the world. In this week’s episode, Jansen and Waiswa discuss the strains of lockdown, motherhood and her unlikely route to photography. They also discuss how the camera was a tool of colonialism almost as deadly as the gun, and how images have been used to both dominate and demean African nations and peoples. Creative Director of Women’s collections Maria Grazia Chiuri was inspired by Waiswa’s journey as a female African photographer and invited her, along with five other women photographers from the continent, to collaborate on shooting the cruise 2020 collection. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

02 Jul 2020

29 MINS

29:38

02 Jul 2020

#22

[Female gaze] Fashion photographer Brigitte Niedermair discusses the roots and inspirations for her ...

Welcome to this fifth episode of the new Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers and creatives collaborating with Dior offers a radically new and progressive image of women. In this episode, series host Charlotte Jansen, a British journalist and author, chats with Brigitte Niedermair, a fashion photographer who, over twenty five years, has developed and honed a highly individual approach to creating the fashion image, upending stereotypes about the genre, and expanding the parameters through which we understand the portrayal of women, and also how we view the female gaze. Brigitte Niedermair was born in the South Tyrol region of Italy in 1971. After dropping out of a photography course, she eventually ended up in the U.S. She worked as a casting director and photographer’s assistant, before taking up the camera herself. She spent ten years constantly on the road, shooting at the highest levels of the industry, using her self-belief and determination to push boundaries and succeed in a stultifyingly male-dominated world. She moved back to her home region in the 2000s, where she has since been based and has always considered her style and creative force to be deeply influenced by her origins. Her editorial work has been published widely and she has staged monographic exhibitions of her patiently composed images worldwide, including a major solo show at the Palazzo Mocenigo as part of the Venice Biennale in 2019. In 2017, she shot Maria Grazia Chiuri’s first collection for the House for Dior Magazine, returning to shoot the autumn-winter 2019 and spring-summer 2020 campaigns, as well as the new fall 2020 campaign, which she also art directed, starring Jennifer Lawrence. In this week’s episode, Charlotte meets with Niedermair virtually at her mountain home and they talk about her experience of lockdown, her thoughts on her own journey as a woman photographer, both in Italy and the wider world, and the profound and varied ideas behind her starkly elegant work. Originally fascinated by painting, Niedermair was eventually drawn to the sense of reality required by photography and its relative newness as a means of image creation. She reflects on this combination of the concrete, the modern and the immediate, which has long drawn her to the camera. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

25 Jun 2020

29 MINS

29:37

25 Jun 2020

#21

[Female gaze] Brigitte Lacombe discusses her extraordinary career capturing the inner lives of her i...

Welcome to this fourth episode of the new Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers and creatives collaborating with Dior offers a radically new and progressive image of women. In this episode, series host Charlotte Jansen, a British journalist and author, speaks with Brigitte Lacombe, the French-born New Yorker who has made an esteemed career photographing major figures in Hollywood and the world of theater from a unique point of view. Her ‘behind-the-scenes’ images of iconic figures have brought a specialist and specific angle to the concept of the ‘female gaze’. Brigitte Lacombe was raised in the Gard region of southern France and began her career working in the black and white photography lab of Elle magazine in Paris. Her first break came when she traveled to the 1975 Festival de Cannes where she met actors Dustin Hoffman and Donald Sutherland. From this point she started to shoot on film sets, documenting the making of the movies of Martin Scorsese, Sam Mendes, David Mamet and others. Over the years she has developed a strikingly intimate, private aesthetic, subverting the traditional posturing associated with fame and moving beyond the classic idea of celluloid celebrity. Here, Lacombe discusses her approach to image-making over more than four decades and how her vision has evolved during her time working in a movie industry which has undergone immense political and social changes. She examines the development of her style, of which Creative Director of Women’s collections Maria Grazia Chiuri is a great admirer, which led to her inviting Lacombe to shoot several campaigns, including two featuring actress and muse Jennifer Lawrence. Hosted by Ausha. See [ausha.co/privacy-policy] (https://ausha.co/privacy-policy) for more information. ... Read more

11 Jun 2020

30 MINS

30:45

11 Jun 2020

Podurama

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[Female gaze] Brigitte Lacombe discusses her extraordinary career capturing the inner lives of her i...