For years, the playwright David Adjmi was considered “polarizing and difficult.” But creating Stereophonic seems to have healed him. Stephen Dubner gets the story — and sorts out what Adjmi has in common with Richard Wagner. <ul><li>SOURCES:<ul><li><a href="https://www.davidadjmi.com/">David Adjmi</a>, author and playwright.</li></ul></li></ul> <ul><li>RESOURCES:<ul><li>"<a href="https://www.ft.com/content/aadca358-75a4-47aa-ab7d-fe46608285df">The West End is enjoying a theatre revival. Can Broadway keep up?</a>" by Daniel Thomas (Financial Times, 2025).</li><li><a href="https://amzn.to/4lZUydU">Lot Six: A Memoir</a>, by David Adjmi (2020).</li><li><a href="https://stereophonicplay.co.uk/">Stereophonic</a>, (2023).</li></ul></li></ul> <ul><li>EXTRAS:<ul><li>"<a href="https://freakonomics.com/podcast-tag/how-is-live-theater-still-alive/">How Is Live Theater Still Alive?</a>" by Freakonomics Radio (2025).</li><li>"<a href="https://freakonomics.com/podcast/how-to-make-the-coolest-show-on-broadway/">How to Make the Coolest Show on Broadway</a>," by Freakonomics Radio (2024).</li></ul></li></ul>

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