Episode No. 718 features artist Masako Miki and artist/curator Katherine Simóne Reynolds. The Institute of Contemporary Art San Francisco is presenting <a href= "https://www.icasf.org/exhibitions/20-midnight-march">"Midnight March,"</a> a far-ranging presentation of <a href= "https://www.masakomiki.com/">Miki's</a> two-dimensional and three-dimensional practice. The Japanese-born Miki's paintings, sculptures, and installations live between the sacred and the secular. Her often exuberant sculptures are rooted in the blending of Japanese and US cultures. Her previous solo shows have been at museums such as the de Young Museum, San Francisco, the Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, and the ICA San José. Her work is in the permanent collections of BAMPFA, the San Francisco Museum of Modern Art, and more. Reynolds is the curator of <a href= "https://clyffordstillmuseum.org/exhibitions/held-impermanence/">"Held Impermanence (Artists Select: Katherine Simóne Reynolds)"</a> at the Clyfford Still Museum, Denver. The exhibition uses the museum's art collection and archive to consider multiple competing desires, including Still's and the desires of art institutions, such as the unknown future museum to which he directed his art and archive be entrusted. <a href="https://theunsuspended.com/main-1">Reynolds</a> is an artist and curator who investigates emotional dialects and psychogeographies of Blackness. Her previous exhibitions have been at venues such as SculptureCenter, New York, Counterpublic 2023, St. Louis, and the Stanley Museum of Art, University of Iowa. As mentioned on the program: <ul> <li>The CSM's <a href= "https://www.dropbox.com/scl/fi/8sbtobyjl2l90aray5qes/ClyffordStillMuseum_HeldImpermanence_Booklet_BW.pdf?rlkey=dtther0k2b67wdm7gwix12i1y&dl=0"> gallery booklet.</a></li> </ul> Instagram: <a href= "https://www.instagram.com/masakomiki/">Masako Miki</a>, <a href= "https://www.instagram.com/tylergreenbooks/">Tyler Green.</a>

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