One of the themes of the Lean Out podcast is the Sexual Revolution — and weighing its benefits and drawbacks, both for women and for men. Today on the show, we are going back to the period that led into that historical moment, to a bohemian movement of art and travel and sexual experimentation, but also of destruction and dysfunction and family tragedies. We're talking about the Beat Generation. Our guest on today’s program has written the introduction to a reissue of an astonishingly good book that explores all of this, written by Jack Kerouac’s daughter Jan. Amanda Fortini is an American magazine writer and <a href='https://amandafortini.substack.com/'>Substacker</a>. She’s <a href='https://www.countyhighway.com/contributors/amanda-fortini'>a columnist at County Highway</a> and a frequent contributor to <a href='https://www.nytimes.com/by/amanda-fortini'>T: The New York Times Style Magazine</a>. She’s joins me to talk about the 1981 novel <a href='https://www.theparisreview.org/blog/2025/10/24/the-female-picaresque-jan-kerouacs-baby-driver/'>Baby Driver by Jan Kerouac</a>.You can find Tara Henley on Twitter at @TaraRHenley, and on Substack at tarahenley.substack.com

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EP 225: Amanda Fortini on Jan Kerouac and the legacy of the Beat Generation

Lean Out with Tara Henley

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