Daniel Kessler grew up between London, Paris, and Washington, D.C., listening to his older brother&rsquo;s early UK rock records. He picked up guitar as a teenager, the same day he quit skateboarding, and after moving to New York in the late &rsquo;90s, he set out to find musicians serious enough to start a band. In 1997, that band became Interpol and when their debut Turn on the Bright Lights came out in 2002, it helped define a new wave of New York indie bands, alongside the Strokes and Yeah Yeah Yeahs, and topped Pitchfork&rsquo;s year-end list. More than two decades later, Kessler remains the musical architect of Interpol, writing the foundation of the band&rsquo;s songs, often alone on a classical guitar before bringing them to his bandmates. The band has now made eight albums together, and their latest, This Mirror Weighs a Ton, is their first record made in New York in more than a decade. Produced by Andrew Wyatt, it expands Interpol&rsquo;s familiar sound with more experimental textures&mdash;and features Kessler singing for the first time since Turn on the Bright Lights. On today&rsquo;s episode, Leah Rose talks with Daniel Kessler about making the new album, the early days when Interpol played to almost nobody, a chance encounter with David Bowie before a show at Hammerstein Ballroom, and the creative routines&mdash;guitar, coffee, and films&mdash;that have kept him writing for nearly three decades. You can hear a playlist of some of our favorite songs from Daniel Kessler & Interpol <a href="https://open.spotify.com/playlist/0x8B4NK2k6JTDNLvBZwN0i?si=6f8a208fc8874497&nd=1&dlsi=90fd67216d514307">HERE</a>.See <a href="https://omnystudio.com/listener">omnystudio.com/listener</a> for privacy information.

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