Katya Apekina discusses her new novel, Mother Doll, as well as using humor as a coping mechanism and a vehicle for intimacy, sex scenes, giving a ghost a voice, being inspired by her grandmother’s memoirs, generational trauma, time as something stacked rather than something sprawling, ambiguous endings, and so much more!Katya Apekina is a novelist, screenwriter and translator. Her novel, <a href="https://bookshop.org/books/the-deeper-the-water-the-uglier-the-fish/9781937512750">The Deeper the Water the Uglier the Fish</a>, was named a Best Book of 2018 by Kirkus, Buzzfeed, LitHub and others, was a finalist for the LA Times Book Prize and has been translated into Spanish, Catalan, French, German and Italian. She has published stories in various literary magazines and translated poetry and prose for Night Wraps the Sky: Writings by and about Mayakovsky (FSG, 2008), short-listed for the Best Translated Book Award. She co-wrote the screenplay for the feature film New Orleans, Mon Amour, which premiered at SXSW in 2008. She is the recipient of an Elizabeth George grant, an Olin Fellowship, the Alena Wilson prize and a 3rd Year Fiction Fellowship from Washington University in St. Louis where she did her MFA. She has done residencies at <a href="https://www.vcca.com">VCCA</a>, <a href="https://playasummerlake.org/apply-for-residency/">Playa</a>, <a href="https://www.ucrossfoundation.org/literature.html">Ucross</a>, <a href="https://artomi.org/residencies/writers/spring-2022-residents">Art Omi: Writing</a> and <a href="http://www.fondation-janmichalski.com/en">Fondation Jan Michalski</a> in Switzerland. Born in Moscow, she grew up in Boston, and currently lives in Los Angeles with her husband, daughter and dog. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

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