Gangsters, rude boys, drug dealers, soviet bootleggers, ticket scalping syndicates, and psychedelic chemists—why do criminals like the “Nitrous Mafia” associated with Phish, and the Italian Mafia linked to Tommy James, so often infiltrate and influence music culture? This topic, along with your voicemails, texts, and emails, and in the All Access portion, Jake and Zeth unpack the fascinating history of violence in Jamaican music. You can become an All Access member and hear this and more exclusive content, along with ad-free listening of all Disgraceland episodes, by going to <a href="https://www.disgracelandpod.com/">disgracelandpod.com</a> and signing up via Patreon or Apple Podcasts.
For more great Disgraceland episodes, dive into our extensive archive, including such episodes as:
Episode 104 - <a href="https://www.disgracelandpod.com/104/george-harrison">George Harrison</a>
Episode 36 - <a href="https://www.disgracelandpod.com/036/rolling-stones-fugitives">Rolling Stones in Exile</a>
Episode 135 - <a href="https://www.disgracelandpod.com/135/aerosmith">Aerosmith</a>

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Bonus: From the Nitrous Mafia to the Italian Mafia, the Criminal Enterprises That Infiltrate Music Culture

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