This conversation with Nathan Lee Graham goes deeper than expected, mixing sharp humor with real insight into a career built on consistency, curiosity, and craft. He reflects on growing up between St. Louis and Los Angeles, navigating a childhood shaped by divorce, experimental schools, and parents who understood early on that the arts were his home. Nathan talks about discovering his calling in high school, the moment Marin Mazie encouraged him to move to New York, and how that one decision launched decades of steady work across stage and screen. Along the way he opens up about playing twins on Scrubs, aging in Hollywood, the discipline required to keep his instrument ready, and why he still sees himself first and foremost as a working actor rather than someone chasing fame.
We also dive into the surprising path that led him to Zoolander the day after The Wild Party closed, the unique challenge and joy of creating memorable moments with only a handful of lines, and how he approaches every medium — stage, film, TV — with the same mindset and integrity. Nathan shares what it means to trust collaborators, what he’s learning during previews of The Baker’s Wife at Classic Stage Company, and why patience, perspective, and self-care have become essential to his life and artistry. It’s a thoughtful, warm, and often funny look at a career defined not by one role, but by the sum of its parts and the relationships that shaped them.
Nathan Lee Graham is a Grammy winner for Best Classical Album (Songs of Innocence and of Experience), a Los Angeles Drama Critics Circle Award recipient for The Wild Party, and a Drama League Award nominee for Wig Out. His stage work includes originating roles in The Wild Party and Priscilla, Queen of the Desert, with national tours of Hadestown and Show Boat. On screen, he is known for Zoolander, Zoolander 2, Sweet Home Alabama, Hitch, The Comeback, Scrubs, LA to Vegas, Mid-Century Modern, and more. He currently stars as Marquis in The Baker’s Wife at Classic Stage Company.
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Ep419 - Nathan Lee Graham: The Working Actor’s Working Actor

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