Spencer Kornhaber, Shirley Li, and Hannah Giorgis assess the state of pop music following the Grammys. While the much-derided awards have improved at celebrating the diversity of modern music, they still tend to reward safer throwback sounds. And modern music as a whole seems to be going through a nostalgic phase—just look at Silk Sonic’s retro soul, or Lady Gaga’s big-band ballads, or even Olivia Rodrigo’s pop-punk influences.The trio reviews the Grammys, debates pop music’s retro obsession, and explains why we’re in a moment with more sound-recycling than usual. With streaming tracking all our listens, is old music <a href="https://www.theatlantic.com/ideas/archive/2022/01/old-music-killing-new-music/621339/">killing new music</a>? Or is the industry finally seeing (and monetizing) a type of listening we’ve always done? And with a backward-looking mainstream intersecting with a Tik-Tok-ification of pop stardom, where do we expect music to go next?Further reading:<ul>
<li><a href="https://www.theatlantic.com/culture/archive/2022/04/grammys-2022-jon-batiste-olivia-rodrigo/629471/">How Jon Batiste's Album of the Year Win Broke Grammys Expectations</a></li>
<li><a href="https://www.theatlantic.com/ideas/archive/2022/01/old-music-killing-new-music/621339/">Is Old Music Killing New Music?</a></li>
<li><a href="https://www.theatlantic.com/culture/archive/2022/03/underscores-music/627592/">An Artist Who Makes Me Excited About the Future of Music</a></li>
</ul> Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

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