Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.      
For images and links about this episode visit <a href="https://www.heavenpodcast.org/episode-2">https://www.heavenpodcast.org/episode-2</a>.
Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on <a href="https://podcasts.apple.com/us/podcast/outward-slates-lgbtq-podcast/id1425950706">Apple Podcasts</a> or <a href="https://open.spotify.com/show/72e0xzkDWilSlqBh95MwHV">Spotify</a>, or visit <a href="https://slate.com/podcast-plus?utm_medium=link&utm_campaign=plus_pod&utm_content=Outward&utm_source=show_notes">slate.com/outwardplus</a> for access wherever you listen.
Production credits: 
When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit <a href="http://heavenpodcast.org/credits">http://heavenpodcast.org/credits</a>.
This project received generous support from individual donors, the Henry Luce Foundation (<a href="http://www.hluce.org">www.hluce.org</a>), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (<a href="http://www.calhum.org">www.CalHum.org</a>).
Eureka Street Productions has 501c3 status through our fiscal sponsor <a href="https://fjc.org/">FJC: A Foundation of Philanthropic Funds</a>.
The music for this episode is from the Metropolitan Community Church of San Francisco’s archive. It was performed by MCC-SF’s musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels. 
Thanks to
<ul>
 <li>
Dr. Heather White, author of <a href="https://uncpress.org/9781469624112/reforming-sodom/">Reforming Sodom: Protestants and the Rise of Gay Rights</a>.
</li>
 <li>
Scott Bloom and Trogoidia Pictures for the use of clips from the film <a href="https://www.youtube.com/watch?v=-RD0h7BNIJI">Call Me Troy</a>.
</li>
 <li>
The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry’s <a href="https://archive.org/details/cbpac_000001">last sermon</a> as the minister at MCC Los Angeles. 
</li>
 <li>
Kirke Machem for the use of his beautiful composition, <a href="https://www.kirkemechem.com/works/blow-ye-the-trumpet">“Blow Ye, the Trumpet,”</a> from the opera, John Brown.
</li>
</ul>
Great thanks, as always, to the members and clergy of the <a href="https://mccsf.org/">Metropolitan Community Church of San Francisco</a> who made this project possible. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

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