The new HIGHEST 2 LOWEST includes an onscreen credit for “the master” Akira Kurosawa as inspiration for a film that has the same basic shape and mistaken-identity kidnapping premise of 1963’s HIGH AND LOW, but is still unmistakably a Spike Lee joint. So in order to better evaluate Lee’s modernization of a crime classic, we’re returning to the master’s version to see how Kurosawa himself reshaped HIGH AND LOW from its pulp-novel origins, utilizing a bifurcated structure and leading man Toshirō Mifune to challenge viewers’ assumed sympathies towards a villain and a victim on opposite sides of the class divide. Then in Feedback, a letter from a listener underlines a point about storytelling that HIGH AND LOW handily illustrates: the necessity of a three-act structure has been greatly exaggerated.

Please share your thoughts about HIGH AND LOW, HIGHEST 2 LOWEST, or anything else in the world of film, by sending an email or voice memo to <a href="mailto:comments@nextpictureshow.net">comments@nextpictureshow.net</a>, or leaving a short voicemail at (773) 234-9730.
Intro: 00:00:00-00:06:18
High and Low Keynote: 00:06:18-00:13:10
High and Low Discussion: 00:13:10-00:52:06
Feedback/outro: 00:52:06-end Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

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#490: Kings' Ransoms, Pt. 1 — High and Low (1963)

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