<p>Meshell Ndegeocello has been a working musician since she was a teenager. She’s probably best known for her biggest hit to date, “<a href="https://www.youtube.com/watch?v=1nPPRQeTxTY">Wild Night,</a>” a Van Morrison cover she recorded with John Mellancamp back in 1994. Meshell is 55 now and just put out her 11th solo album, “<a href="https://store.bluenote.com/products/meshell-ndegeocello-the-omnichord-real-book">The Omnichord Real Book</a>,” her first in five years. The album started as a kind of personal pandemic project before she decided to share it with the world, and it’s now been nominated for a Best Alternative Jazz Album Grammy award.</p><p>When Anna spoke with Meshell, she was just back from a quick European tour, and they talked about what it was like for her to grow up in the 70s and 80s in the Washington D.C. area, surrounded by music, and how she found the bass, her main instrument, by chance (and with a little help from Prince.) In this episode, Meshell shares how her life with music has evolved through the years, what she’s learned to let go of – as a performer, as a mother and a daughter – and how the ‘musical transmissions’ that she receives help her stay grounded and present to who she really is, moment to moment.</p>


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Meshell Ndegeocello Thinks Authenticity is Unsustainable

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