For the first time in centuries, the Bayeux Tapestry — a nearly 1,000-year-old piece of embroidery that depicts the invasion of England by William the Conqueror in 1066 — is on display in Britain.It was long said by art experts to be too fragile to move. But in a development that required geopolitical persuasion, this summer the tapestry made its way from Bayeux, France, to the British Museum in London.When the first block of tickets went on sale, the British Museum said, over 80,000 people at a time waited online to buy them.In this episode of the “Sunday Daily,” Alex Marshall, a culture reporter for The New York Times, talks with host Michael Barbaro about why this ancient piece of embroidery matters so much to the British public.On Today’s Episode:<a href="https://www.nytimes.com/by/alex-marshall" target="_blank" rel="noopener noreferrer">Alex Marshall</a> is a European culture reporter for The New York Times, based in London.Background Reading:<ul><li><a href="https://www.nytimes.com/2026/09/10/arts/design/bayeux-tapestry-replicas.html" target="_blank" rel="noopener noreferrer">How to See a Bayeux Tapestry — Without Going to the British Museum</a></li><li><a href="https://www.nytimes.com/2026/09/10/arts/design/bayeux-tapestry-british-museum-opening.html" target="_blank" rel="noopener noreferrer">A Nation Gripped by ‘Bayeux Fever’ Finally Gets to See the Tapestry</a></li></ul>Photo credit: Kin Cheung for Associated Press.
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