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Music

<ul>
<li>Je ne pas si c’est tout le monde - Theme Comedie from Vincent Delerm’s score to the film of the same, long name.</li>
<li>Forbin’s Hi Fi from Michel Colombier’s score to Colossus: The Forbin Project</li>
<li>Boo’s Lullaby by Maria Chiara Agriro and Jamie Leeming</li>
<li>Helle (Ballade) from the great Phillipe Sarde score to that picture.</li>
<li>L’Espagne pour memoire from Michel Portal’s score to Un et a la garoupe</li>
<li>The Rain Never Stops on Venus by Michael Wollney</li>
<li>Je t’ai meme pas dit by Vincent Delerm.</li>
<li>From a Dream by Oregon</li>
<li>A version of Narcisus for Clarinet and Electronics as played by Thea Musgrave.</li>
</ul>

Notes

<ul>
<li>Good sources if you want to know more are Peter Manseau’s book about spirit photography and the spiritualist age (Cutting intersects interestingly with that crea), <a href="https://www.amazon.com/Apparitionists-Phantoms-Photography-Captured-Lincolns/dp/0544745973" rel="nofollow" target="_blank">The Apparitionists</a>, as well as <a href="https://dev.neaq.org/wp-content/uploads/2016/04/Download-this-PDF-book.pdf" rel="nofollow" target="_blank">this article</a> by Jerry Ryan about the history of aquariums in Boston. </li>
</ul>

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Episode 211: Cutting and Ned

the memory palace