Episode No. 722 features museum director and human rights activist Ann Burroughs, and curator Cory Korkow. Burroughs is the director of the Japanese American National Museum, Los Angeles, which has led the museum sector in resisting Trumpism and the rise of fascism in the United States. Even as many US institutions capitulated when the Trump administration demanded a return to racist and white supremacist policies and practices, JANM stood by its diversity and equity foci and programs. Over the summer, armed and often masked  Border Patrol agents conducted what appeared to be an operation aimed at intimidating speakers at a program at the museum's Daniel K. Inouye National Center for the Preservation of Democracy, including at a press conference held by California Gov. Gavin Newsom. The museum <a href= "https://www.janm.org/press/release/janm-condemns-federal-operation-its-grounds"> aggressively resisted</a> the federal show of force, drawing lines between illegal federal actions in 1942 and the present. JANM's mission is "to promote understanding and appreciation of America’s ethnic and cultural diversity by sharing the Japanese American experience." Its collections and programs feature art and art's history. The museum holds work by and the archives of artists such as Hisako Hibi, George Hoshida, Estelle Ishigo, Henry Sugimoto, Chikashi Tanaka, Kango Takamura, and Jack Iwata. In addition to leading JANM, Burroughs is the two-time former chairperson of the board of Amnesty International USA, the chair of the Amnesty International Global Assembly, and presently sits on the board of Amnesty International. As mentioned on the program: <ul> <li>Burroughs' <a href= "https://www.aam-us.org/2025/05/27/staying-true-to-mission-why-janm-spoke-out/"> op-ed for the American Alliance of Museums</a>; and</li> <li>JANM's <a href= "https://www.janm.org/visit/history-unpacked">"History Unpacked" program.</a></li> </ul> Korkow helped lead the Cleveland Museum of Art's acquisition and <a href= "https://www.clevelandart.org/exhibitions/new-acquisition-giambolognas-fata-morgana"> initial installation</a> of Giambologna's Fata Morgana (ca. 1572), which had been the last of the roughly dozen marble sculptures made by the artist remaining in private hands. Giambologna made the sculpture for installation in a fountain at Bernardo Vecchietti's Villa il Reposo in Bagno a Ripoli, Italy. Instagram: <a href= "https://www.instagram.com/cosykoko/">Cory Korkow</a>, <a href= "https://www.instagram.com/tylergreenbooks/">Tyler Green.</a> Air date: September 4, 2025.

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