Babygirl, the new erotic thriller starring Nicole Kidman, features an age-gap romance and a power imbalance. But according to the filmmaker Halina Reijn, it’s more about “what part of us is civilized…and what part of us is still driven by primal forces.” It’s also extremely entertaining, sexy, and dryly hilarious. This week, Halina Reijn talks about why she wrote the movie, her decision to move away from a very successful and decades-long acting career, and her mission to get us all talking more openly about our sexual desires. Podcast production by Cameron Drews.Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, <a href="http://slate.com/dsmplus">Slate Plus</a>! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at <a href="http://slate.com/dsmplus">slate.com/dsmplus</a>.And if you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on <a href="https://www.instagram.com/deathsexmoney/?hl=en">Instagram</a> and you can find Anna’s newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

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Death, Sex & Money | ‘Babygirl’ Director Wants Women Not to Suppress Their Beast

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