The Illuminator: Art, Conspiracy and Madness releases November 11. Subscribe to get early releases and listen ad-free. http://brazen.fm/plusMark Lombardi, an up-and-coming conceptual artist, had everything to live for. He was finally gaining attention for his elegant, intricate diagrams uncovering shadowy entities behind global money-laundering. It was an unusual case in the art world, a late bloomer who developed his style after 40, now experiencing the rapid ascent of a younger artist. So why was the 48-year-old, on the cusp of international success, found hanged and deemed suicidal? His body was suspended from a sprinkler in his Brooklyn loft, beside him a champagne bottle hanging by a string. A full bottle of Tylenol PM was found in his shirt pocket, a half-smoked joint on his nightstand. Hundreds more Tylenols littered the floor like sequins. His death itself could be seen as the ultimate conceptual art, an afterlife laugh at those who doubted him. He did, after all, carry business cards eerily portending the future, with the tagline "death defying acts of art and conspiracy." Or was he ultimately overwhelmed by the subject of his work: the money trails connecting some of the most powerful and corrupt people on earth? His drawings traced hot money, from Cold War funding to the heroin trade. But his most dogged scrutiny fell on the Bank of Credit and Commerce International, which he called the "Bank of Crooks and Criminals." It began as a small Pakistani merchant bank in 1972 but evolved into a global money laundry, bankrolling fraudsters, smugglers, and corrupt foreign officials – as well as CIA operations abroad. It was shut down by regulators in 1991. Since his death, Lombardi's masterwork on the rogue bank has been held at the Whitney Museum of American Art. Could it be responsible for his demise? The answer can only be found within Lombardi himself. Support our show by becoming a premium member! <a href="https://brazen.fm/plus/">https://brazen.fm/plus/</a>

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