We go deep with Phillip Johnson Richardson on the real stuff behind a Broadway glow up. He opens up about being a young Black man showing vulnerability onstage, the pressure to be perfect, and how identity, belonging, and mental health shape the work. We talk about choosing when to step away, the cost of staying, and the tools he uses to keep his center steady when the noise gets loud. Quick heads up: if you hear a low rumble while I am speaking, that was the rain hammering the studio during our recording.
We also get into the creative process behind his original music, the difference between chasing applause and building a life that feels true, and the practical ways performers make it work in New York. If you want to see him live, his final performance in Hell’s Kitchen is November 30. This one is candid, grounded, and full of takeaways you can actually use.
Phillip Johnson Richardson is an actor and musician whose Broadway credits include Hell’s Kitchen as Knuck and the recent revival of The Wiz as the Tin Man. On screen, audiences have seen him in projects like Sharper, Little Voice, The Last O.G., Chicago P.D., Proven Innocent, and The Other Two. He writes and records original music and continues to build a multi hyphenate career across stage, film, television, and the studio.
Connect with Phil:
<ul>
 <li>IG: <a href="https://www.instagram.com/philsgoodmusic/">@philsgoodmusic</a>, <a href="https://www.instagram.com/glaeddad/">@glaeddad</a>
</li>
 <li>Web: <a href="https://philsgoodmusic.com/">https://philsgoodmusic.com/</a>, <a href="https://glaeddad.com/">https://glaeddad.com/</a>
</li>
</ul>
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Ep417 - Phillip Johnson Richardson: Mental Health, Identity, and the Work

The Theatre Podcast with Alan Seales

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