Naomi Xu Elegant’s debut novel, Gingko Season (W. W. Norton: 2025), stars Penelope Lin, a young Chinese woman living in New York in the faraway year of 2018. With difficult parents and a bad break-up, she works for a museum’s exhibition on bound feet, with a gaggle of other, somewhat clueless friends. But a meeting with Hoang, a researcher at a cancer lab, forces Penelope to rethink what she wants with her life.
Naomi joins me today to talk about her book, her choice of characters, how she wanted to approach tropes like the meet-cute—and why 2018 now feels like ancient history, even to young-ish millennials.
Naomi Xu Elegant is a writer and journalist living in New York City. Her work has appeared in Monocle, Fortune, Atlas Obscura, and elsewhere.
You can find more reviews, excerpts, interviews, and essays at<a href="https://asianreviewofbooks.com/"> The Asian Review of Books</a>. Follow on Twitter at<a href="https://twitter.com/BookReviewsAsia"> @BookReviewsAsia</a>.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at<a href="https://twitter.com/nickrigordon?lang=en">@nickrigordon</a>. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/asian-review">https://newbooksnetwork.supportingcast.fm/asian-review</a>

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Naomi Xu Elegant, "Gingko Season: A Novel" (W. W. Norton, 2025)

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