Next year marks the 60th anniversary of Dark Shadows. The gothic soap opera wasn’t originally intended to include a vampire, but when creator Dan Curtis introduced the character of Barnabas Collins in a last-ditch effort to avoid cancellation, he inadvertently launched a cultural phenomenon. As portrayed by actor Jonathan Frid, the character of Barnabas sparked a never-ending debate among horror fans as to whether vampires should be depicted as pure predators or tragic, misunderstood outcasts. I talk with Danielle Gelehrter (host of the podcast <a href="https://www.terroratcollinwood.com/about%20">Terror at Collinwood</a>) and authors <a href="https://www.markdawidziak.com/">Mark Dawidziak</a> and <a href="https://www.tnstate.edu/llp/faculty/thompsonj.aspx%20%20">Jeff Thompson</a> about why the show had a meteoric rise and fall, what the series reflected about the 1960s, and whether Dark Shadows can have eternal life as a form of IP. 
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