'Our Mutual Friend' was Dickens’s last completed novel, published in serial form in 1864-65. The story begins with a body being dredged from the ooze and slime of the Thames, then opens out to follow a wide array of characters through the dust heaps, paper mills, public houses and dining rooms of London and its hinterland. For this episode, Tom is joined by Rosemary Hill and Tom Crewe to make sense of a complex work that was not only the last great social novel of the period but also gestured forwards to the crisp, late-century cynicism of Oscar Wilde. They consider the ways in which the book was responding to the darkening mood of mid-Victorian Britain and the fading of the post-Waterloo generation, as well as the remarkable flexibility of its prose, with its shifting modes, tenses and perspectives, that combine to make 'Our Mutual Friend' one of the most rewarding of Dickens’s novels.
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Next time on Novel Approaches: 'The Last Chronicle of Barset' by Anthony Trollope
Further reading in the LRB:
John Sutherland on Peter Ackroyd's Dickens: <a href="https://lrb.me/nadickens1">https://lrb.me/nadickens1</a>
David Trotter on Dickens's tricks: <a href="https://lrb.me/nadickens2">https://lrb.me/nadickens2</a>
Brigid Brophy on Edwin Drood: <a href="https://lrb.me/nadickens3">https://lrb.me/nadickens3</a>
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