There are 5.5 million commercial buildings in the U.S. Why are only <a href= "https://newbuildings.org/news/zero-energy-verified-commercial-buildings-more-than-double-since-2018/"> 700 of them net-zero</a>? We have the technology to slash carbon emissions from commercial buildings, which account for 16% of all U.S. emissions. And retrofitting commercial buildings saves money and energy for building owners. So what gives? In this episode, Melissa talks to <a href= "https://eta.lbl.gov/people/paul-mathew">Dr. Paul Mathew</a>, who studies buildings as a staff scientist at Lawrence Berkeley National Laboratory. He explains the reasons for this “yawning adoption gap” and offers  potential solutions. They dig in on: <ul> <li style="font-weight: 400;" aria-level="1">Simplifying the retrofitting process through new solutions like  <a href= "https://energy-cities.eu/wp-content/uploads/2020/07/INNOVATE_guide_FINAL.pdf"> one-stop shops</a> and <a href= "https://www.rff.org/publications/issue-briefs/energy-service-business-model-expanding-deployment-low-carbon-technologies/"> energy-as-a-service providers</a></li> <li style="font-weight: 400;" aria-level="1">Finding creative ways to pay for the upfront costs, like  <a href= "https://coalitionforgreencapital.com/what-is-a-green-bank/"> green banks</a> and <a href="https://e3p.jrc.ec.europa.eu/node/190">energy service companies </a></li> <li style="font-weight: 400;" aria-level="1">The governments that are testing out new policies like <a href= "https://www.epa.gov/sites/default/files/2021-02/documents/benchmarking_building_performance_standards_section2.pdf"> building performance standards</a>. </li> </ul> Also featured in this episode is <a href="http://ecoworksdetroit.org/">EcoWorks</a>, a Detroit non-profit that supports energy security, sustainability and retrofits in southeast Michigan. The Big Switch is produced by Columbia University's Center on Global Energy Policy in partnership with Post Script Media. This episode was produced by Alexandria Herr and Daniel Woldorff. Theme music and mixing by Sean Marquand. Story editing by Anne Bailey. A special thanks to Natalie Volk, Kirsten Smith and Kyu Lee. Our executive editor is Stephen Lacey.

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