<div>The first title that springs to mind at the mention of William Golding’s name is most often <a href="https://foxedquarterly.com/shop/william-golding-lord-of-flies/">Lord of the Flies</a>. The classic story of a group of schoolboys marooned on a desert island all but made his reputation and has somewhat overshadowed his twelve other novels. 

Golding was a fascinating and often troubled man, a voracious reader who enjoyed the <a href="https://foxedquarterly.com/shop/emily-wilson-homer-odyssey/">Odyssey</a> in Greek as well as Georgette Heyer and Jilly Cooper and was an influence on many novelists from Stephen King to Penelope Lively, Ben Okri and Kazuo Ishiguro. Definitely a writer ripe for rediscovery.

Now, the Slightly Foxed team sit down with the author’s daughter Judy and Golding expert Professor Tim Kendall to discuss the life and work of this brave and highly original writer, whose novels transport the reader to distant but entirely believable worlds. His work grapples with the big questions of existence but his originality as a writer sometimes worked against him, and Lord of the Flies was rejected by seven publishers before it was accepted by Charles Monteith at Faber. It was glowingly reviewed and became a bestseller but, behind the scenes, Golding was struggling with his addiction to alcohol and the fame his writing would bring him. After a poor reception from the critics for several of his following books, including both <a href="https://foxedquarterly.com/shop/william-golding-the-spire/">The Spire</a> and <a href="https://foxedquarterly.com/shop/william-golding-pyramid/">The Pyramid</a>, Golding was thrown into a deep depression. This crisis lasted over ten years, but when he finally returned to writing he went on to produce a series of successful novels – including <a href="https://foxedquarterly.com/shop/william-golding-rites-of-passage/">Rites of Passage</a>, winner of the 1980 Booker Prize. In 1983 he was awarded the Nobel Prize for Literature. 

The usual round of reading recommendations include <a href="https://foxedquarterly.com/shop/gerald-brenan-south-from-grenada/">South from Granada</a>, Gerald Brenan’s recollection of the years he spent in an Andalusian village in the 1920s with visits from the Bloomsbury group; Robert Harris’s <a href="https://foxedquarterly.com/shop/robert-harris-precipice/">Precipice</a>, a semi-fictional account of the relationship in 1914 between Prime Minister Asquith, and Venetia Stanley, and Penelope Lively’s novel Passing On. 

For episode show notes, please see <a href="https://foxedquarterly.com/john-le-carre-slightly-foxed-podcast-episode-51">the Slightly Foxed website</a>.
Opening music: Preludio from Violin Partita No. 3 in E Major by Bach
Hosted by Rosie Goldsmith
Produced by Philippa Goodrich</div>

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52: William Golding: A Literary Colossus

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