June 28, 1928. Louis Armstrong is in the studio recording what he hopes will be another hit. His career is on the rise, but he’s not a household name yet. But he’s about to lay down a track – “West End Blues” – that won’t just change his career, but the entire genre of jazz. 
But Armstrong didn’t compose “West End Blues” – it was written by his mentor, a man only remembered by people who are really into the history of jazz, a cornet player named Joe “King” Oliver. Armstrong records this song likely as a favor to this father figure, someone who set him on the path to becoming an American icon. Oliver might be forgotten by many, but his role is undeniable.
Before “What a Wonderful World” or “Hello Dolly,” how did Louis Armstrong get his start following King Oliver around New Orleans? And how did the complicated, sometimes fractured relationship with his mentor give rise to this legendary career?
Special thanks to Ricky Riccardi, director of research collections at the <a href="https://www.louisarmstronghouse.org/">Louis Armstrong House Museum</a> in Queens, New York, and author of several books on Armstrong, including his most recent, <a href="https://www.amazon.com/Stomp-Off-Lets-Go-Armstrong/dp/0197614485">Stomp Off, Let's Go: The Early Years of Louis Armstrong</a>. To learn more about listener data and our privacy practices visit: <a href="https://www.audacyinc.com/privacy-policy">https://www.audacyinc.com/privacy-policy</a> Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices">https://podcastchoices.com/adchoices</a>

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