<div>Dodie Smith was a phenomenally prolific writer who experienced huge success in her lifetime but is now remembered mainly for her much-loved coming of age novel I Capture the Castle, and her bestselling The Hundred and One Dalmatians. 

In this quarter’s literary podcast, coinciding with the revival of her play Dear Octopus at the National Theatre, Dodie’s biographer Valerie Grove joins the Slightly Foxed Editors and new presenter Rosie Goldsmith at the kitchen table to talk about the life and work of ‘little Dodie Smith’, who started writing a journal at the age of 8 and continued every day until she was 90. 

Dodie grew up among her mother’s family – an experience she brilliantly recalled in <a href="https://foxedquarterly.com/shop/dodie-smith-look-back-with-love-plain-foxed-edition/">Look Back with Love</a>. Dodie’s uncles loved the theatre and encouraged her passion for the stage, leading her to train as an actor, with limited success. After years of struggle she turned her hand to writing and soon sold her first play, Autumn Crocus, which launched her career. Success followed, along with fur coats, glittering friends, a Rolls-Royce and the arrival of Dodie’s first Dalmatian.

Then it was off to America where she and her husband spent the Second World War, joining a literary circle that included Christopher Isherwood and Aldous Huxley. Dodie was terribly homesick and longed to return to home, yet it was her exile that produced I Capture the Castle, a novel through which her nostalgia for England permeates.

We end with a round-up of New Year reading recommendations, including a recent biography of the poet John Donne, Super-Infinite by Katherine Rundell, and The Last English King by Julian Rathbone, a historical novel set in the years before the Battle of Hastings. 

For episode show notes, please see <a href="https://foxedquarterly.com/dear-dodie-slightly-foxed-podcast-episode-48/">the Slightly Foxed website</a>.
Opening music: Preludio from Violin Partita No. 3 in E Major by Bach
Hosted by Rosie Goldsmith
Produced by Philippa Goodrich</div>

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