Award-winning costume designer, Evie Gurney, speaks to Anjna about her costumes for the National Theatre’s Antony and Cleopatra and the 2022 production of Much Ado About Nothing, as well as her process and aspirations for costume design in the theatre.<a rel="payment" href="https://www.shakespeare.org.uk/podcast-support">Support the show</a>We ask our guests and listeners to share one modern-day item that they think should be included in an imagined Shakespeare museum of the future. What do you think of their choices, and what would you choose? Let us know at <a href='https://www.surveymonkey.co.uk/r/V7CQP7V'>shakespeare.org.uk/future</a> <ul> <li><a href='https://twitter.com/ShakespeareBT'>Follow us on Twitter</a></li> <li><a href='https://www.instagram.com/'>Follow us on Instagram</a></li> </ul>

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22. Evie Gurney on her Process and Costume Design

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