In September, The New Yorker published an article by Clare Malone titled <a href="https://www.newyorker.com/news/annals-of-communications/hasan-minhajs-emotional-truths">“Hasan Minhaj’s Emotional Truths,”</a> fact-checking moments from the comedian’s stand up specials. The article reportedly cost Minhaj the hosting gig for The Daily Show, and Minhaj posted a <a href="https://www.youtube.com/watch?v=ABiHlt69M-4">lengthy Youtube video</a> responding to its claims. The New Yorker has stood behind its story, even after Minhaj called it misleading. The scandal, which has been covered by almost every major news outlet, brings into question what audiences expect from comedians — especially ones who do Jon-Stewart-style political commentary. 
This week, Brooke speaks to <a href="https://twitter.com/JesseDavidFox?">Jesse David Fox</a>, author of <a href="https://bookshop.org/p/books/comedy-book-the-story-of-how-comedy-conquered-culture-and-the-magic-that-makes-it-work-jesse-david-fox/19509967">Comedy Book: How Comedy Conquered Culture and the Magic That Makes It Work</a>, about why the saga provoked such a strong reaction. Plus, Fox explains the changing role of truth in comedy: from the authentic acts of Lenny Bruce and Richard Pryor, to the vulnerability of Tig Notaro. Fox also notes that the fall from grace of Louis C.K., who pre-#MeToo was often proclaimed the "most honest" comedian, informs the rise of the hyper-performative, absurdist comedy of John Early and Kate Berlant.

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The Hasan Minhaj Saga and Evolving Expectations of Truth in Comedy

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