A HOUSE OF DYNAMITE is built on an undeniably hooky premise — a nuclear missile originating from an unknown source is heading right for us — but is that premise enough to support a successful movie? We’re joined once again by critic and author Jason Bailey to unpack that question, particularly as it applies to the film’s triptych structure and nervy ending gambit. That ending comes back into play when we reintroduce 1964’s FAIL SAFE for Connections, to see how Sidney Lumet’s Cold War thriller compares to Kathryn Bigelow’s modern-day nuclear scenario in their respective depictions of human connection — personal, professional, and adversarial —amid humanity-threatening catastrophe. Then we keep it in the nuclear family for Your Next Picture Show, with a recommendation for the 1983 TV movie THE DAY AFTER, as well as some of its pop-cultural fallout.

Please share your thoughts about FAIL SAFE, A HOUSE OF DYNAMITE, or anything else in the world of film, by sending an email or voice memo to <a href="mailto:comments@nextpictureshow.net">comments@nextpictureshow.net</a>, or leaving a short voicemail at (773) 234-9730.

Next Pairing: Radu Jude’s DRACULA and Federico Fellini’s 8 1/2

Intro: 00:00:00-00:02:33
A House of Dynamite discussion: 00:02:33 - 00:24:41
A House of Dynamite/Fail Safe Connections: 00:24:41-47:56
Your Next Picture Show and goodbyes: 00:47:56-end Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

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#497: First Strikes, Pt. 2 — A House of Dynamite

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