<p>A cross-post of the first episode of "The Wonder of Stevie," a new six-part podcast series from Higher Ground and Pineapple Street Studios. It's a great show - find it on <a href="https://podcasts.apple.com/us/podcast/the-wonder-of-stevie/id1767486783">Apple</a>, <a href="https://music.amazon.co.uk/podcasts/3447f3b6-f4d8-4f93-a017-f18ace007d14/the-wonder-of-stevie">Amazon</a>, <a href="https://open.spotify.com/show/1OLQgrozbl4sL6Hu3X8d4A">Spotify</a>... it's a podcast, you know the deal.</p><p>Next week, we'll run a conversation between Kirk, host Wesley Morris, and producer Josh Gwynn all about what they learned making the show, and how they've come to think about Stevie and his music. In the meantime, check out some of Wesley Morris's  writing on <a href="https://www.nytimes.com/2018/08/16/arts/music/respect-aretha-franklin-death.html">Aretha Franklin</a>, <a href="https://www.nytimes.com/2021/07/06/arts/music/jimmy-jam-terry-lewis.html">Jam & Lewis</a>, <a href="https://www.nytimes.com/2024/08/01/arts/music/meshell-ndegeocello-james-baldwin.html">Meshell Ndegeocello</a>, and <a href="https://www.nytimes.com/2020/10/14/magazine/quarantine-mustache.html">his mustache</a>, as well as his essential 2019 essay about <a href="https://www.nytimes.com/interactive/2019/08/14/magazine/music-black-culture-appropriation.html">Black American Music</a>.</p>


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