Welcome back to Transmissions, a weekly interview podcast created and curated by Los Angeles online music magazine Aquarium Drunkard. This week on the show, host Jason P. Woodbury speaks with a living legend, and one of our all-time favorite vocalists and songsmiths: Emmylou Harris. 
On November 7th, New West Records will re-release an expanded edition of her 1998 live album Spyboy, <a href="https://newwestrecords.com/collections/emmylou-harris">back in print after 27 years</a>. Recorded in the wake 1995’s Wrecking Ball, an LP that redefined Harris for a whole new generation, Spyboy finds Harris and her band—Buddy Miller, Brady Blade and Daryl Johnson—on the road and stretching out into feverish new territory for the storied singer. 
Harris released her first album in 1970, and along the way, she’s collaborated with artists like country rock pioneer Gram Parsons, Dolly Parton, Linda Ronstadt, Bob Dylan, Neil Young, and countless more. But as she settled into the ‘90s, she felt that country radio no longer made space for voices like hers—prompting a shift into a new direction with producer Daniel Lanois, who crafted a spectral, haunted sound for Wrecking Ball, placing her voice at the dreamy center. 
The resulting era introduced Harris to new ears—and we were thrilled to speak with her about it for this episode. 
Transmissions is created in partnership with the Talkhouse Podcast Network. We’re brought to you by <a href="https://aquariumdrunkard.com/">⁠⁠⁠⁠Aquarium Drunkard⁠⁠⁠⁠</a>, an independent music media crew headed by Justin Gage. Over at Aquarium Drunkard, you’ll gain access to 20 years of music writing, playlist, essays, mixtapes, radio special, podcasts, videos and more.

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