Structure and POV (point of view) are often intertwined. In N.K. Jemisin’s The Fifth Season, we see this in the myriad perspective shifts. In this episode, we talk about the importance of these shifts on the structure of the book. How does the narrator talk directly to us, and what purpose does this second-person perspective serve? DongWon shares one of their theories with us on the relationship between author, reader, and POV. P.S. Do you want a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? Preorder The Orbit Gold Edition set before November 19th to get 20% off! Visit orbitgoldeditions.com to order. Thing of the Week: <a href="https://www.youtube.com/@kurzgesagt" rel="nofollow">Kurzgesagt – In a Nutshell</a>Homework: Think about the main character of your story, and carve their life up into three different pieces. Have one of those pieces/ perspectives write to another piece, using second perspective. Sign up for our newsletter: <a href="https://writingexcuses.com/" rel="nofollow">https://writingexcuses.com</a>Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! <a href="https://www.patreon.com/WritingExcuses" rel="nofollow">Patreon</a><a href="https://www.instagram.com/writing_excuses/" rel="nofollow">Instagram</a><a href="https://www.youtube.com/@WritingExcusesPodcast" rel="nofollow">YouTube</a><a href="https://www.facebook.com/WritingExcuses" rel="nofollow">Facebook</a> Our Sponsors: * Check out Acorns: https://acorns.com/wx Support this podcast at — <a rel='payment' href='https://redcircle.com/writing-excuses2130/exclusive-content'>https://redcircle.com/writing-excuses2130/exclusive-content</a> Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

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19.42: A Close Reading on Structure: Whose Perspective is it Anyways?

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