The journey from discarded material to transcendent art forms the foundation of our conversation about Leonardo Drew, one of contemporary art's most physically committed and philosophically profound creators. Drew's remarkable journey began in the most unlikely of places—playing in a dump as a child in Tallahassee, Florida—a formative experience that would later inform his artistic sensibility and material relationship. What strikes you immediately about Drew is the joyful contradiction between his ebullient personality and the weighted gravity of his installations. His work appears weathered, aged, and discovered rather than created, yet as we learn, this is a carefully orchestrated illusion. "I don't work with found objects," Drew reveals. "Most of my material I actually create in the studio... I become the weather." This transformation process, where new materials are methodically distressed until they appear to carry centuries of history, speaks to Drew's profound understanding of time, memory, and physical transformation. Perhaps most compelling is Drew's pivotal turning point at age fifteen, when a black-and-white reproduction of a Jackson Pollock painting changed everything. Despite being courted by Marvel and DC Comics for his extraordinary illustrative talents, Drew abandoned this promising commercial path to pursue fine art—a decision requiring remarkable courage. "I decided it was time for me to stop using what I did well," he explains, essentially tying his hands to discover what existed beyond his comfort zone. This willingness to abandon mastery in pursuit of deeper questions characterizes his entire approach. Drew's extraordinary work ethic—rotating between seven projects simultaneously like "crying babies" needing attention—and his seven-year disappearance into the studio to develop his voice demonstrate a commitment few artists match. His perspective on creative struggle as "the most beautiful part of the journey" reminds us that art-making thrives on questions rather than answers. Experience Drew's transformative installations in person to understand why his work commands such reverence among artists and audiences alike.Sources:<h1>Leonardo Drew in "Investigation" - Season 7 - "Art in the Twenty-First Century" | Art21 <a href='https://www.youtube.com/watch?v=ymMGgOCoK8k&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=5'>https://www.youtube.com/watch?v=ymMGgOCoK8k&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=5</a> An Interview with Leonardo Drew | Wadsworth Antheneum <a href='https://www.youtube.com/watch?v=-75fm_UzhYg&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=4'>https://www.youtube.com/watch?v=-75fm_UzhYg&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=4</a> Woodcuts: Leonardo Drew | useum of Arts and Design (MAD) <a href='https://www.youtube.com/watch?v=4N3S2nvDcvU&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=3'>https://www.youtube.com/watch?v=4N3S2nvDcvU&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=3</a> Artist Talk: Leonardo Drew | Amon Carter Museum of American Art Fort Worth <a href='https://www.youtube.com/watch?v=LtsqaHfEYxc&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR'>https://www.youtube.com/watch?v=LtsqaHfEYxc&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR</a> Carrie Scott, SEEN Podcast | Leonardo Drew <a href='https://open.spotify.com/episode/1a54U1cidMrWratJewuyFy?si=27cd5abd710f4439'>https://open.spotify.com/episode/1a54U1cidMrWratJewuyFy?si=27cd5abd710f4439</a> </h1><a target="_blank" href="https://www.buzzsprout.com/twilio/text_messages/2253683/open_sms">Send us a message - we would love to hear from you!</a>Make sure to follow us on Instagram here: <a href='http://www.instagram.com/justmakeartpodcast'>@justmakeartpodcast</a> <a href='https://www.instagram.com/tynathanclark/'>@tynathanclark</a> <a href='https://www.instagram.com/nathanterborg/'>@nathanterborg</a>

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Leonardo Drew. Art as Physical Transformation. Part 1

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