What’s the first thing you think about a mustachioed songwriter who enjoys rocking wind-breaker sweat suits and lives and creates on the edge of icy Nova Scotia? That he’s going to write maybe the best old-school Nashville country record of the year, of course. Maybe the warm, slightly humorous diversion is right in his tropical name. But with his newest LP Bootcut, beloved Canadian singer-songwriter and ace guitarist Afie Jurvanen AKA Bahamas might have thrown some long-time listeners (like this podcaster) for a loop by channeling his inner Alan Jackson and George Strait, but in a nice, warm way. I’ll admit I was concerned at first. Must everyone go country? Sliding steel guitars, twangy solos, his signature low-drawl and gorgeous lady-led harmonies? You bet. But it feels serenely natural on him. And yes, Bahamas did make his Opry debut a few months back so he is fully diving in and it shows.In this first part of our dive into Bootcut and beyond - we hear how Bahamas brings his daughters into his songwriting, how he’s had to let go of his younger “hunk” guitarist roots and how he’s connected being a songwriter and a quirky online “content-creator” into his art. In these fractious times, especially as the seasons get darkest - maybe we all need a new LP that doesn’t try and reinvent every sonic wheel or show off with shredding guitar histrionics (he used to tour with Feist) and rapid-fire poetic gymnastics. Is Bootcut like a warm hug reaching out from your car speakers? Maybe. Try listening to the heartfelt, soft opener “Just A Song” and the yearning piano-ballad closer “Nothing Blows My Mind” - to hear how he’s trying to be at peace with the chaos and mystery of being a father, a son and a citizen who is just doing his damn best. With his second time here on our show, it’s easy to hear how comfortable Afie has gotten in his skin. Thankfully, his music has never been better.

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BAHAMAS: CANADA’S NEW (OLD-SCHOOL) COUNTRY KING (PART 1)

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