Black music, forged in captivity, became the sound of complete artistic freedom. It also became the sound of America. On today’s episode: Wesley Morris, a critic-at-large for The New York Times.“1619” is a New York Times audio series hosted by Nikole Hannah-Jones. You can find more information about it at <a href="https://www.nytimes.com/2019/09/06/podcasts/1619-black-american-music-appropriation.html" target="_blank">nytimes.com/1619podcast</a>.This episode contains explicit language.

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Episode 3: The Birth of American Music

1619

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