It was an absolute treat to welcome actor, director, producer and writer Mario van Peebles to The Cinematologists Podcast. In London to show his new film Outlaw Posse as part of the Black Rodeo season at the BFI, I was able to talk with him and his son Mandela, who also stars in the film, about his lifelong interest in Westerns, particularly in the often cliched, often forgotten role of African American's in the Western mythos.
Outlaw Posse is more of a companion piece than a sequel to his 1993 film Posse; this new work mines similar territory with its generic rawness infused with social commentary but with a kinetic direction that embraces spectacle.
The conversation also covers the van Peebles' legacy; Mario's father Melvin one of the true blaxploitation pioneers with how recognised classic Sweet Sweetback's Baadass Song; Mario's own struggles in the industry, from his big break in Clint Eastwood's Heartbreak Ridge to his own seminal work as director of New Jack City.
Neil and I discuss how wonderfully open and insightful Mario and Mandela were in the interview and further explore his perhaps underappreciated body of work. Neil Is a particular fan of New Jack City, and we think about how that film triggered the New Black Cinema movement and influenced the aesthetics of 80s and 90s filmmaking in its wake.
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Music Credits:
‘Theme from The Cinematologists’
Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing

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