The world is different once an artist dies. The same goes for their music. Since D’Angelo’s death, Wesley keeps returning to “Black Messiah” — to him, a perfect final album. What makes an artist’s last record resonate with us long after they’re gone? Wesley invites his friend Alex Pappademas, a senior culture editor at GQ Magazine, to listen back to some last albums that have haunted them both. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and
Spotify. You can also subscribe via your favorite podcast app here
https://www.nytimes.com/activate-access/audio?source=podcatcher. 


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D’Angelo and the Power of Last Albums

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