Today, we are standing in the wings of the theater, looking out at the empty stage, asking ourselves a question about the ghosts that haunt the floorboards. We are talking about the "Original Cast Recording" and how that static document, that moment frozen in time, can become a trap for every artist who follows. We are looking specifically at Wicked, a show that has not only defined a generation of theatergoers but has arguably altered the way we think about the "rightness" of a role versus the "reality" of the performer. Let us look first at the pen of the creator. Stephen Schwartz, the legendary composer, has spoken openly about crafting the score of Wicked specifically for Idina Menzel. He wasn't just writing for a green witch; he was writing for Idina. He heard the unique architecture of her larynx, that specific, stratospheric "belt" that sits somewhere between a scream and a prayer, and he built the song "Defying Gravity" to live exactly in that pocket.

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Wicked: The Bespoke Voice and the Echo of the Ghost

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