Very often, writers get to the two-third or three-quarter mark of work and get stuck, sometimes abandoning it to move on to something shinier. Why does this happen? Well, it’&#39;s a place at which we move from raising questions for the reader to needing to answer them. This change in mode requires a different set of tools than the beginning of a story, while needing to appear part of a seamless whole. Let’s dive into how you can do this!  Homework: Outline the second half of your novel (or revise the outline you already have). Then find two or three questions your story asked in the first half, and come up with two different ways you could answer each one.Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! <a href="https://writingexcuses.com/retreats/" rel="nofollow">Writing Retreats</a><a href="https://writingexcuses.com/#newsletter" rel="nofollow">Newsletter</a><a href="https://www.patreon.com/WritingExcuses" rel="nofollow">Patreon</a><a href="https://www.instagram.com/writing_excuses/" rel="nofollow">Instagram</a><a href="https://www.threads.net/@writing_excuses" rel="nofollow">Threads</a><a href="https://bsky.app/profile/writingexcuses.bsky.social" rel="nofollow">Bluesky</a><a href="https://www.tiktok.com/@writingexcuses" rel="nofollow">TikTok</a><a href="https://www.youtube.com/@WritingExcusesPodcast" rel="nofollow">YouTube</a><a href="https://www.facebook.com/WritingExcuses" rel="nofollow">Facebook</a> Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

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21.44: Why Are You Stopping? You’re Almost There!

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