Téa Obreht is a short story writer and novelist. Her debut novel, The Tiger’s Wife, won the 2011 Orange Prize for Fiction, and was a 2011 National Book Award finalist and an international bestseller. In our conversation, we focused on revision and character consciousness. Téa talked to us about the difficulty of the idea-generation stage of writing, how to cultivate layered characters, and how she writes event-first. You can learn more about Téa Obreht <a href="http://www.teaobreht.com/" rel="nofollow">here</a>. Thing of the Week from Téa: <a href="https://www.imdb.com/title/tt0348914/" rel="nofollow">Deadwood</a> (TV Show)Homework from Téa: Write an opening paragraph (roughly 3-6 lines). It could be something new, or an opener that you had already written. The paragraph should introduce some key pieces of information to your readers. Consider the information that&#39;s contained in your paragraph and then rewrite the whole thing two more times, ultimately conveying the same information, but in three different ways. How you do this is completely up to you! Maybe it’s in a different voice, maybe it’s from a different perspective, maybe it uses only dialogue. At the end of the exercise, consider the priorities of each different mode, and how each changed the way you gave information to your readers. P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up <a href="https://writingexcuses.com/retreats/" rel="nofollow">here</a>. Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, and Erin Roberts. Our guest was Téa Obreht. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! <a href="https://writingexcuses.com/retreats/" rel="nofollow">Writing Retreats</a><a href="https://writingexcuses.com/#newsletter" rel="nofollow">Newsletter</a><a href="https://www.patreon.com/WritingExcuses" rel="nofollow">Patreon</a><a href="https://www.instagram.com/writing_excuses/" rel="nofollow">Instagram</a><a href="https://www.threads.net/@writing_excuses" rel="nofollow">Threads</a><a href="https://bsky.app/profile/writingexcuses.bsky.social" rel="nofollow">Bluesky</a><a href="https://www.tiktok.com/@writingexcuses" rel="nofollow">TikTok</a><a href="https://www.youtube.com/@WritingExcusesPodcast" rel="nofollow">YouTube</a><a href="https://www.facebook.com/WritingExcuses" rel="nofollow">Facebook</a> Support this podcast at — <a rel='payment' href='https://redcircle.com/writing-excuses2130/donations'>https://redcircle.com/writing-excuses2130/donations</a> Advertising Inquiries: <a href='https://redcircle.com/brands'>https://redcircle.com/brands</a> Privacy & Opt-Out: <a href='https://redcircle.com/privacy'>https://redcircle.com/privacy</a>

Podurama

Home

Trending

Personal

Your Podcasts

New Episodes

My Files

Favourite Episodes

Tags (Folders)

Recently Played

Bookmarks

Followed Playlists

20.32: Revision and Character Consciousness Téa Obreht

Writing Excuses

AI Chapters

AI Insights

Reviews