So picture this: It's 1994. The Pixies had been music-world darlings for half a decade or so, releasing some incredible records before fizzling to a stop. Their enigmatic singer, Black Francis, changes his name (again—his parents named him Charles Thompson) to Frank Black and embarks on a solo career that feels a little vexing at the time. His self-titled debut felt deeply connected to his old band, but for the next one, he struck an even richer songwriting vein: The songs kept coming and they turned into the double album Teenager of the Year, recorded with a crack studio band that included Eric Drew Feldman of Pere Ubu both as a player and producer.Teenager of the Year wasn't particularly well received upon its release 30 years ago, but it has slowly been recognized as a high point in Black's career, celebrated as his masterpiece by those paying the closest attention. It may not get the widespread attention that Pixies' Doolittle does, but the love it gets might even run a little deeper, both from its creator and his biggest fans. It's meaningful enough that Black and the original band that created it have just embarked on an anniversary tour during which they'll play the whole record, and it's being re-released on gold vinyl, a gold record that should have been. You can <a href="https://blackfranc.is/">find dates online</a>, they'll be hitting major US cities throughout January, ending in New York February 1 before heading to Paris and London.As a high school student, Paul Banks came to the Pixies via a love of Nirvana, and eventually found his way to Teenager of the Year, an album that—as you'll hear in this conversation—was massively important to him. Banks would of course go on to form the band Interpol, for which he has been the singer and guitarist since 1997. Their latest is 2022's The Other Side of Make-Believe, but Interpol has also been revisiting a beloved album recently, touring on the anniversary of their classic second record, Antics.These two have a great chat about Teenager of the Year here, plus they talk about Black's kids and their musical ambitions, lyric writing in general, and the time Black was asked to audition for the part of a serial killer in a David Fincher movie. They also get into some specifics about Teenager of the Year songs, including a great story about album opener "Whatever Happened to Pong?" Enjoy.Chapters:0:00 – Intro2:28 – Start of the chat8:30 – Paul Banks on 'Teenager of the Year'13:52 – The making of 'Teenager of the Year'15:51 – How Frank almost became the Zodiac Killer (on the big screen)18:10 – On characters in music21:10 – On writing lyrics24:15 – Film and book recommendations28:22 – The formation of Frank Black's solo band33:00 – On "Pong" and Pong38:30 – Paul Banks on when he decided to become a musician44:15 - The freedom of releasing musicThanks for listening to the Talkhouse Podcast, and thanks to Frank Black and Paul Banks for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the great shows on the Talkhouse Podcast Network. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range.Find more illuminating podcasts on the <a href="https://www.talkhouse.com/talkhouse-podcast-network/">Talkhouse Podcast Network</a>.Visit <a href="https://www.talkhouse.com/">talkhouse.com</a> to read essays, reviews, and more.Follow @talkhouse on <a href="https://www.instagram.com/talkhouse">Instagram</a>, <a href="https://bsky.app/profile/talkhouse.bsky.social">Bluesky</a>, <a href="https://x.com/Talkhouse">Twitter (X)</a>, <a href="https://www.threads.net/@talkhouse">Threads</a>, and <a href="https://www.facebook.com/talkhouse">Facebook</a>.

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