W. David Marx is a writer and cultural historian based in Tokyo, Japan, known for his book <a href="https://www.google.com/search?q=Status+and+Culture&oq=w+david+marx+bio&gs_lcrp=EgZjaHJvbWUyBggAEEUYOdIBCDMzMDlqMGoxqAIAsAIA&sourceid=chrome&ie=UTF-8&mstk=AUtExfBw_NZ8JFspXgoZGJ1LzNlu91DPo_IC09ZOSnkhF5hUDLVIZ_z8k1smk_Hb6G3-kkc-RJYV5bqrQW27azfue5PPF0T9ygDz-140gwO3TIReUM12zi34rtQAv_V2joSGSkJYrIqCRtX4ABowWKuRhkm07KnD7-5lqFcfBM5QbZoVQXw&csui=3&ved=2ahUKEwiN_9uuk_2QAxWP1fACHRlQF_QQgK4QegQIAhAD">Status and Culture</a>, among others. His newest book, Blank Space, is out today. We chat with him from New York City about barbecued monkfish, the San Vicente Bungalows ice cream sundae, alterna-pop music, how he dressed at nineteen, selvedge denim, the evolving Olivia Nuzzi scandal and orchestrated writer drama, Hawk Tuah, if Japan is still enamoured by Western American culture, American fast food flavor, Korean musician Psy, whats next after video takes over media, unstucking culture, recession pop part deux, and the Vice magazine "22 rule."
<a href="https://www.instagram.com/wdavidmarx">instagram.com/wdavidmarx</a>
<a href="http://twitter.com/donetodeath">twitter.com/donetodeath</a>
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