It took a lot to make the composer and critic Virgil Thomson happy. He was famous for savaging new works he didn't like, and the truth is, he didn't like very many new works at all. One exception was Bohuslav Martinů's very first symphony, written in 1942. Thomson said this: "The Martinů Symphony is a beaut. It is wholly lovely and doesn't sound like anything else." The story of how this symphony came to be is as fascinating as the music itself, and it's perfectly in keeping with the relentless curiosity of Martinů as a composer. Martinů, a prolific composer who wrote nearly 400 works, had just arrived in the US in 1941 as a refugee from war-torn Czechoslovakia. He was 51 years old and had never written a symphony before. This delay wasn't a case of crushing self-doubt, as it was for Brahms. It was actually a seeming lack of interest in the symphonic genre, which was not unusual at the time. But in 1942, Martinů sent a letter to Serge Koussevitzky, the music director of the Boston Symphony Orchestra and a friend to the dozens of refugee composers who had arrived from Europe during the early days of World War II. Koussevitzky commissioned Martinů to write a large-scale work, and Martinů responded with his First Symphony -- a perfect welcome to his new home, and to the grand adventure he was setting off on in a country he found intimidating, exciting, and full of opportunity. The result is a piece of remarkable contrast, energy, light, and boisterous hope, given the situation back in his homeland. As the sponsor of this episode, Pere Casan Bonet, put it, the symphony is "a pool of energy that makes me feel optimistic even at my lowest points." We'll start today with a quick overview of Martinů's life and work, since he might not be the most familiar composer to you, and then we'll talk our way through this incredible First Symphony. Martinů has always been one of my favorite "underrated" composers, so it's a thrill to get to talk to you about him today. Join us!

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