<h2 id="h2_synopsis">Synopsis</h2><br/><p>Perhaps there is some poetic justice in the fact that maverick American composers like Charles Ives had a hard time getting performances of their music during their lifetime, only to be both lionized and frequently performed after their deaths. Conversely, many mainstream American composers who were lionized and frequently performed when they were alive seldom show up on concert programs anymore — and in some cases, that’s a darn shame.Take Walter Piston, for example, who in his day was regarded as one of America’s premier composers. On today’s date in 1957, his Viola Concerto received its premiere performance by the Boston Symphony, in a concert conducted by Charles Munch, with soloist Joseph de Pasquale, a Curtis Institute professor and first-chair violist of the Philadelphia Orchestra.It’s a lovely, lyrical work and a terrific showcase for a great violist. But have you ever heard it in concert — or on the radio, for that matter? A British reviewer, writing in the UK’s Gramophone magazine, was bowled over by this music, writing, “Piston's concerto opens pensively, quickly builds to an aching climax … in the final pages, a sweeter lyricism that prepares the listener perfectly for the playful syncopations of the exuberant finale.”</p><br/><h2 id="h2_music_played_in_today's_program">Music Played in Today's Program</h2><br/><p>Walter Piston (1951-1987): Viola Concerto; Randolph Kelly, viola; Latvian National Symphony; Alexandrs Vilumanis, cond. Albany TROY-558</p>

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Piston's Viola Concerto

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