Neil Brownsword is one of the most intriguing – and uncompromising – ceramic artists currently practicing in the UK. His work is inspired by the de-industrialisation of his home city, Stoke-on-Trent, and, appropriately enough, his career in ceramics began when he worked as an apprentice in the Wedgwood factory as a 16 year old in the mid 1980s. Subsequently, he went on to study at the University of Cardiff and the Royal College of Art. Neil’s research examines the manufacturing histories of North Staffordshire’s ceramic industry, and the effects globalisation has had upon people, place and traditional skills in recent decades. Over the years, he has won numerous awards and exhibited across the globe, while at the same time maintaining an important career in education. He is currently a professor of ceramics at the University of Staffordshire.In this episode we talk about: his latest show at the Crafts Study Centre in Farnham, Surrey; historical copying in the ceramics industry; inducing failure; working at Wedgwood on a YTS scheme; being good at art in school; creating his early, sexually-charged pieces; not selling pots; why his work changed radically at the turn of the century; escaping the ‘stranglehold’ of narrative; becoming ‘a post-industrial factory manager’; bridling against ‘factory tourism’; putting industrial artisans on a cultural platform; investigating the ‘marginalised potential of the past’; and why it’s important to safeguard rather than preserve skill.<a rel="payment" href="https://www.patreon.com/materialmatters?fan_landing=true">Support the show</a>

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