<blockquote type="cite" class="c-mrkdwn__quote">Spanish artist and musical chameleon Rosalía released her latest album, Lux, today. The single, "Berghain," seems like a return to form. Operatic vocals, grand instrumentals, beautiful visuals -- the album is primed for critical praise. But for those who are hyperaware of Rosalia’s transformations -- from flamenco songstress to Afro-Caribbean queen -- they have other questions about this evolution. Brittany is joined by writer-critics <a href="https://www.bilalq.com/"target="_blank" >Bilal Qureshi</a> and <a href="https://michellesantiagocortes.com/"target="_blank" >Michelle Santiago Cortés</a> to unpack Rosalía’s “church girl era,” and the complicated nuances of Latinidad in music. Follow Brittany Luse on Instagram: <a href="https://www.instagram.com/bmluse/?hl=en"target="_blank" >@bmluse</a> For handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at <a href="https://www.npr.org/podclub"target="_blank" >npr.org/podclub</a>.</blockquote> Learn more about sponsor message choices: <a href="https://podcastchoices.com/adchoices">podcastchoices.com/adchoices</a> <a href="https://www.npr.org/about-npr/179878450/privacy-policy">NPR Privacy Policy</a>

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