Episode No. 643 of The Modern Art Notes Podcast features curator and art historian John P. Bowles and artist Stacy Kranitz. Along with Dennis Carr and Jacqueline Francis, Bowles is the co-curator of <a href= "https://huntington.org/exhibition/sargent-claude-johnson">"Sargent Claude Johnson,"</a> a survey of the artist's career at The Huntington Library, Art Museum, and Botanical Gardens in San Marino, Calif. through May 20. The exhibition features over 40 works Johnson, a major Harlem Renaissance-era sculptor who lived in Oakland, Calif., made between the Great Depression and the civil rights era. It is the first Johnson exhibition in over 25 years. The excellent exhibition catalogue was published by the Huntington. <a href="https://amzn.to/3uVc7XF">Amazon</a> and <a href= "https://bookshop.org/p/books/sargent-claude-johnson-dennis-carr/21119692?ean=9780300271997"> Bookshop</a> offer it for about $40. The second segment features photographer Stacy Kranitz. Earlier this month Pro Publica published <a href= "https://projects.propublica.org/the-year-after-a-denied-abortion/"> "The year after a denied abortion,"</a> an extraordinary story and photo essay by Kranitz and Kavitha Surama. The piece follows Mayron Michelle Hollis as the state of Tennessee simultaneously questioned Hollis' fitness to care for her four children and forced her to continue a life-threatening pregnancy. Kranitz was featured on the program in September 2023 when <a href= "https://addison.andover.edu/exhibition/a-long-arc-photography-and-the-american-south-since-1845/"> “A Long Arc: Photography and the American South since 1845”</a> debuted at the High Museum of Art, Atlanta. The exhibition opens at the Addison Gallery of American Art in Andover, Mass., this weekend. It will remain on view through July 31. The exhibition considers the South as a forger of American identity and examines how Southern photographers have contributed to both the advance of their medium, and the US project. “A Long Arc” was curated by Gregory J. Harris and Sarah Kennel. The catalogue was published by Aperture. Bookshop and Amazon offer it for about $70. Kranitz’s work, primarily made in the southern Appalachian Mountains, presents the complexity and instability of a rugged region on which industry has preyed. Her work is in the collection of museums such as the Harvard Art Museums and the Museum of Fine Arts, Houston. Her 2022 book <a href= "https://twinpalms.com/products/as-it-was-given-to-me">As it Was Give(n) to Me</a> was published by Twin Palms and was shortlisted for a Paris Photo-Aperture First Photobook Award. <a href= "https://bookshop.org/p/books/stacy-kranitz-as-it-was-give-n-to-me-stacy-kranitz/20376962?ean=9781936611195"> Bookshop</a> and <a href="https://amzn.to/3RAYW70">Amazon</a> offer it for about $75-80. For images of Kranitz's work discussed on the program presented by series or project, please see <a href= "https://manpodcast.com/portfolio/no-620-stacy-kranitz-kristine-potter/"> Episode No. 620</a> and: <ul> <li><a href="https://www.stacykranitz.com/as-it-was-given-to-me">As it Was Give(n) to Me</a>;</li> <li><a href="https://www.stacykranitz.com/post-pubescent">From the Study on Post Pubescent Manhood</a>;</li> <li><a href= "https://www.stacykranitz.com/fulcrum-of-malice">Fulcrum of Malice</a>; and</li> <li><a href="https://www.stacykranitz.com/target-unkown">Target Unknown.</a></li> </ul>

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Sargent Claude Johnson, Stacy Kranitz

The Modern Art Notes Podcast