Classical film scores have given us some of the most recognisable music ever written – and film screenings with a live orchestral soundtrack in the concert hall are increasingly popular. But where do you start when writing a soundtrack and how do you capture that magic? Michael Beek speaks to British film composer Anne Dudley. This episode is sponsored by <a href="2%20x%20growth%20pages%20=.extra%20%201%20x%20cruise%20collective%20=%20house%20ad%20%201%20x%20Radio%20Times%20=%20%20house%20ad">Bang & Olufsen</a>. Musical Excerpt:Anne Dudley ‘Main Title’ from Elle (Original Motion Picture Soundtrack)The Chamber Orchestra of London/Anne DudleySony Classical 88985361012 (2017)<a href="https://www.amazon.co.uk/Elle-Original-Motion-Picture-Soundtrack/dp/B01KJ331FS">https://www.amazon.co.uk/Elle-Original-Motion-Picture-Soundtrack/dp/B01KJ331FS</a> Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices">podcastchoices.com/adchoices</a>

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