&lt;p&gt;&lt;span&gt;“I wanted to do a French movie, and I had this idea of wanting to do a &lt;/span&gt;&lt;em&gt;&lt;span&gt;New Yorker&lt;/span&gt;&lt;/em&gt;&lt;span&gt; movie,” Wes Anderson explains. “Somehow, I also wanted to do one of those omnibus-type things where it was a collection of short stories.” The result is the new film “The French Dispatch.” Anderson describes his interest in &lt;/span&gt;&lt;em&gt;&lt;span&gt;The New Yorker&lt;/span&gt;&lt;/em&gt;&lt;span&gt; as “almost fetishistic.” Each of the movie’s four story lines was inspired by a work from the magazine&lt;/span&gt; &lt;span&gt;or by one of its writers, though Anderson has played freely with biography. Jeffrey Wright, for example, plays Roebuck Wright, an amalgam of James Baldwin, a Black American expatriate in provincial France, and A. J. Liebling, a beloved writer on food and much else from &lt;/span&gt;&lt;em&gt;&lt;span&gt;The New Yorker&lt;/span&gt;&lt;/em&gt;&lt;span&gt;’s early years. “Even in exile,” the actor says, his character “realizes that he’s only at home within himself, that there is no home for him.&lt;/span&gt; &lt;span&gt;And maybe there is no home for anyone, really, other than within one’s own body and one’s own soul.” Anderson and Wright join David Remnick to discuss “The French Dispatch” and the classic &lt;/span&gt;&lt;em&gt;&lt;span&gt;New Yorker&lt;/span&gt;&lt;/em&gt;&lt;span&gt; essays that inspired it. &lt;/span&gt;&lt;/p&gt;

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Wes Anderson and Jeffrey Wright on “The French Dispatch”

The New Yorker Radio Hour